I try to keep my life low key, and I don't like going to parties unless they're thrown by a friend of mine, or they're to do with a project I'm in, or it's because I've been nominated for an award.
What can possibly be the common factor in a Kim Jee-woon film? I think what really ties a lot of my projects together is that there is always a character that believes his life is not exactly the way he wishes it to be.
Those who speak of our culture as dead or dying have a quarrel with life, and I think they cannot understand its terms, but must endlessly repeat the projection of their own desires.
My movie is born first in my head, dies on paper; is resuscitated by the living persons and real objects I use, which are killed on film but, placed in a certain order and projected on to a screen, come to life again like flowers in water.
But people who think they can project themselves into deafness are mistaken because you can't. And I'm not talking about imagining what a deaf person's whole life is like I even mean just realizing what it is like for an instant.
A truly common culture is not one in which we all think alike, or in which we all believe that fairness is next to godliness, but one in which everyone is allowed to be in on the project of cooperatively shaping a common way of life.
The reason I like doing these acting projects is because no matter how much acting I do, I'll always have music in my life. I love having both.
Slow parents understand that childrearing should not be a cross between a competitive sport and product-development. It is not a project; it's a journey. Slow parenting is about giving kids lots of love and attention with no conditions attached.
I have a feeling that being in love sometimes means the projection of your desires onto another person. The important thing is that you like the other person, respect the other person and want to raise children with the other person.
America saw me as a projection of me that I always wanted. That's why I love going to America so much. I feel like I started off in America exactly how I wanted to start everywhere.
I'm definitely more of a 'think game' kind of girl. I'll read every single dialogue and codex entry and lore entry. I really do love projecting myself and creating my character.
The players never think they project enough. In a hall that seats 3,300 people, it's a very scary thing to play so quietly that you can barely hear yourself.
When a doctor is performing an operation, his mind cannot be somewhere else. And it's the same with actors. You have to commit yourself mind, body and soul to a project in order to do justice to it.
It's really easy to project this whole ideology of what being an artiste is, and I'm just not down with intellectualizing it. I just think, if you feel like doing something, then do it.
I'm sort of suspicious of most economic development projects, but the ones that encourage taxpayer-funded relocation bidding wars should be declared unconstitutional.
As cities have grown rapidly across the nation, many have neglected infrastructure projects and paved over green spaces that once absorbed rainwater.
In any country, in any city, there will be political influence on what is said, what kind of images are to be projected and, yes, of course artists can be and are influenced by politicians.
I knew exactly how I wanted it to play, but you are never sure until you watch the projected images reflect off the screen. That's when you know it worked.
I remember that already as a child I was often intensely interested in things, obsessed by ideas and projects in many areas, and in these topics I learned much on my own, reading books.
You don't project yourself in the Hall of Fame as a player. It's only during that five-year period where people start asking about it, and it doesn't seem real until it happens.
It's tricky, performing the show live. Because when you're in a big auditorium, in front of 700 people, the natural tendency is to want to talk louder. You want to project.
