I have two new nephews and a new niece this year, so I have plenty of kids that I can spend time with.
In the middle 1940s... I heard everyone live. Painting, the theater; everything was happening. It was an exciting time when New York was the place to be.
I used to perform all the time but I haven't performed in New York in a very long time.
And when I first came out from New York, I hadn't driven in a long time. Now I'm like Joe Speedster.
I think of New Yorkers as not taking the time to talk to someone they don't know.
Actually, every time I am back in New York, I read for as many plays as I can.
My mother felt it was time that I had some parental control, so I went off to America and went to New York.
Long time ago, I was going to be a New York cop, then got involved with this girl who was into acting, then got bit by the acting bug myself.
If you're a Democrat and 'The New York Times' is calling for your head, you know it's time for an exit strategy.
That first play I did in New York, Rogelio Martinez's 'When It's Cocktail Time in Cuba,' I played a young Fidel Castro.
Every time when they would call my name I kept hearing 'New York Knicks' instead of 'Seattle SuperSonics.'
At one point I took on a new job, and I just didn't have time to do anything but work.
Part of fashion is newness. It's got to be a new combination of elements that's shocking-stunning-beautiful all at the same time. But it doesn't have any emotion.
You can't expect the entire world to come to New York to see you. You have to travel to them.
Bill: Thank God. I die a true American.
Bill: He was the only man I ever killed worth remembering.
Bill: Anything in your pockets? Jenny: I ain't started working yet.
Bill: Don't mind him. He used to be an Irishman.
Boss Tweed: We're burying a lot of votes tonight.
Adele Lack: Everyone is disappointing the more you know them.
New York is a character, all on its own, and whenever you film there, it becomes part of the show. That's just the nature of being there.
