Chuck Noland: If I'm here New Year's Eve, then I'm here. If I'm not, I'm not.
I auditioned for Julliard because I wanted to live in New York, and I wanted to be on Broadway at the time. Julliard seemed like right way to get there.
I think people who live in New York don't realize just how much time they spend talking about the subway.
When I came for the first time to the United States, visiting, I was absolutely fascinated by New York.
The possibilities are infinite with new writing; every time you open a new script, there's no limit to what it might contain.
My father was like the Old Testament. I am the New Testament. I am part of a new generation. In time, people will realize this.
The travel and tourism industry is the lifeblood of many states around the country - including Florida, California, New York and Nevada, to name a few.
Amsterdam Vallon: Is there anyone in the five points you *haven't* fucked? Jenny: Yes! *You!*
Miss Schermerhorn: Is that man drunk? Happy Jack: Och, dead as Good Friday, miss.
Bill: [after stabbing Priest] Look to me! Who is this under my knife!
Cobb: Never recreate from your memory. Always imagine new places!
[Alicia and Devlin meet on a bench in the city] Devlin: What's new? Alicia: Oh, nothing. What's new with you? Devlin: Nothing.
Caden Cotard: [Giving a stage direction] People don't walk like that.
In New York, everyone's desperate for success, desperate for money and desperate to be accepted, but in London they're more laid back about things like that.
I loved New York. I made enough money and studied acting with Kenneth McMillan, which was my first formal training.
The older I get and the longer I live in New York City, the more I have the desire to go elsewhere and be surrounded by nature.
The new generation of consoles has as much power to do the kind of games that we do as the PC does.
Is it not a species of blasphemy to call the New Testament revealed religion, when we see in it such contradictions and absurdities.
What's more important than who's going to be the first black manager is who's going to be the first black sports editor of the New York Times.
The difference between the old ballplayer and the new ballplayer is the jersey. The old ballplayer cared about the name on the front. The new ballplayer cares about the name on the back.
As our expedition to New York seems likely to be attended with a very fatal Consequence, and ourselves haply censured for undertaking it without assurance of success.
