Kasper Gutman: I distrust a man who says "when." If he's got to be careful not to drink too much, it's because he's not to be trusted when he does.
[last lines] Dr. Ben McKenna: Sorry we were gone so long, but we had to pick up Hank!
Ed Hobbs: You've got a gift Roy... but it's not enough - you've got to develop yourself. If you rely too much on your own gift... then... you'll fail.
Tangina: Now clear your minds. It knows what scares you. It has from the very beginning. Don't give it any help, it knows too much already.
Indiana: Too bad the Hovitos don't know you the way I do, Belloq. Belloq: Yes, too bad. You could warn them... if only you spoke Hovitos!
H.I.: We figured there was too much happiness here for just the two of us, so we figured the next logical step was to have us a critter.
Eli: [to Richie] I always wanted to be a Tenenbaum, you know? Royal: [quietly] Me too. Me too. Eli: It doesn't mean what it used to though, does it?
Cecil Parkes: The page! For God's sake, the notes! Peter Helfgott: I'm sorry sir, I keep forgetting the notes. Cecil Parkes: Will it be asking too much to learn them first?
This dilettante notion that the global economy is evil because big corporate leaders make too much money... they do make too much money, but the only way we've figured out how to generate wealth in this world is through the market economy.
The times of Arab nationalism and unity are gone forever. These ideas which mobilized the masses are only a worthless currency. Libya has had to put up with too much from the Arabs for whom it has poured forth both blood and money.
I have a problem with too much money. I can't reinvest it fast enough, and because I reinvest it, more money comes in. Yes, the rich do get richer.
I think the biggest issue for legacy media - both TV and film - is that it just costs too much money to develop a TV series or movie. And most of them don't work. Then the one that works has to pay for the rest.
There's nothing more powerful than a woman who knows how to contain her power and not let it leak, standing firmly within it in mystery and silence. A woman who talks too much sheds her allure.
Fiction is supposed to be immersive and supposed to be entertaining and narrative, so structures have to be buried a little bit. If they come foregrounded too much, it stops being fiction and starts being poetry - something more concrete and out of t...
In high school I was very much involved in poetry. You cannot read a poem quickly. There's too much going on there. There are rhythms and alliterations. You have to read poetry slow, slow, slow to absorb it all.
Women often postpone their lives, thinking that if they're not with a partner then it doesn't really count. They're still searching for their prince, in a way. And as much as we don't discuss that, because it's too embarrassing and too sad, I think i...
My parents didn't really understand too much about sport. At that time, we were in a Polish community in the inner city of Chicago, and I was the youngest of a bunch of cousins. Polish families are real big, with cousins and aunts and uncles.
Grade 9: I was too small for football, too shy for drama class, but I did have a passion for music. And so, with a mouth full of braces (and a glorious mullet), I accepted that the trombone would be a fantastic scholastic counterpart to my extracurri...
When I was young, I had this contrarian thing, and my music for a long time was an extension of that. I didn't want to entertain people; I had too much vanity to be an entertainer. I think that some layers of vanity came off.
When I started performing, I played acoustic music, partly because that way you don't have to worry about interacting too much with other people creatively. Asserting myself in that way was not really a strong point for me.
I think it's more interesting to see people who don't feel appropriately. I relate to that, because sometimes I don't feel anything at all for things I'm supposed to, and other times I feel too much. It's not always like it is in the movies.
