Something I've realized lately, to my shock, is that I am an optimist, in that I think humans are almost infinitely capable of self-change and self-modification, and that we really can build the future that we want if we're smart about it.
I was sitting in the looping studio late one night, and I had this epiphany that they weren't paying me for my acting, for God's sake, but to own me. And from then on, it became clear and an awful lot easier to deal with.
I love a lot of the New York bands, but Patti Smith stands out. I just read 'Just Kids' and it's an inspirational, well-written account of an emerging New York artist in the late seventies.
The late sixties and early seventies were kind of a breeding ground for exciting new sounds because easy listening and folk were kind of taking over the airwaves. I think it was a natural next step to take that blissful, easy-going sound and strangle...
In Britain, eponymous lifestyle branding as we know it started in the late 1960s, with two fascinating families - the Conrans and the Ashleys - who in increasingly brilliant settings and catalogues sold rather different visions of what the new ideal ...
All through the kind of late '80s and '90s, every A&R record company man was saying, 'Now what we want is another record like 'Back in the High Life.' And, of course, that's not the way to make music at all. That's the tail wagging the dog.
The only proper suit-and-tie job I've had in my life was the two years in the late 1980s when I ran a small corporate publishing company. I even had a Ford Sierra!
I grew up in the southern United States in a city which at that time during the late '40's and early '50's was the most segregated city in the country, and in a sense learning how to oppose the status quo was a question of survival.
I noticed in the late 1990s that my friends and I were already nostalgic for the 1980s, and by the turn of the century, VH1's 'I Love the '80s' gave all of us an accelerated nostalgia for our generation.
The video for 'Whatever' is kind of a documentary in a way. It's showing that love can last. Not just in your early 20s or your late 30s, but in your 50s, 60s and 70s. There's an awful myth out there that when you get married, love and lovemaking fad...
As my name might suggest, I'm Jewish. My grandparents were Polish and Russian Jews who came to Australia in the late 1920s, and had they not, we wouldn't be talking now.
I had the idea in my twenties that a writer could immediately become the late Henry James. Henry James himself had to mature. Even Saul Bellow did.
Obama was late to affirm the Egyptian revolution as a democratic movement, and even then he was eager to have installed those military leaders who were known for their practices of torture.
I've been telling people 'I'm going to go to California, and I'm going to be a big star' since the womb, but lately it was immediately followed by, 'Would you like soup or salad with that?'
I'm very comfortable with the idea of there being late bloomers, and for me, of course, there's no difficulty at all in the way that I think of talent and achievement and so on.
The one thing I'm absolutely obsessed with lately are gadgets! New cell phones; I walk around with three phones because I have all the new ones, and I can't choose which I prefer.
The vast majority of writers out there, they finish their books, and no one cares whether their book is late or ever comes out at all. And then it comes out, and two reviews are published, and it sells 12 copies.
People don't see this side of me. They don't know I read, like, 800 million spiritual books. Lately I am just really getting into a lot of spirituality.
The invention of the teenager was a mistake. Once you identify a period of life in which people get to stay out late but don't have to pay taxes - naturally, no one wants to live any other way.
My reading is extremely eclectic. Lately I've been teaching myself computer graphics, so I'm reading a lot about that. I read books of trivia, of facts.
In the late nineties, Katy Grannan began making haunting photographs of people who had extraordinary inner yens to be seen by strangers.