The ambivalence of writing is such that it can be considered both an act and an interpretive process that follows after an act with which it cannot coincide. As such, it both affirms and denies its own nature.
The willow is my favorite tree. I grew up near one. It's the most flexible tree in nature and nothing can break it - no wind, no elements, it can bend and withstand anything.
Nature also forges man, now a gold man, now a silver man, now a fig man, now a bean man.
When you're in nature, when you're going to bed when the sun goes down and getting up when the sun rises, and you get into that rhythm, your body just really responds positively to it.
Things have a way of moving to the left, and then they move back to the right before somebody finds themselves in the center. That seems to be the nature of the creative world. It's not stagnant. I don't get upset about it.
The United Nations World Charter for Nature, section 21, empowers any nongovernmental organisation or individual to uphold international conservation law in areas beyond national jurisdiction and specifically on the high seas.
I experienced the California Northridge Earthquake of 1994 and the eruption of Mount St. Helens in 1980, and I have thus seen firsthand how terrible and awesomely devastating a force of nature can be.
We still have a tradition certainly in English television; it's faded a bit in the last five years, but we still have a tradition where the important thing is the quality and the challenging nature of the programming.
Modem science, then, maintains on the one hand that nature, both organic and inorganic, strives towards a state of order and that man's actions are governed by the same tendency.
The ground we walk on, the plants and creatures, the clouds above constantly dissolving into new formations - each gift of nature possessing its own radiant energy, bound together by cosmic harmony.
It seems to me that 'women's writing' by nature would not seek equivalence in the male world. It would be a writing that sought to express a distinction, not deny it.
When I feel a little confused, the only thing to do is to turn back to the study of nature before launching once again into the subjects closest to heart.
I think it's really important to use your hands and get close to materials. To be up close to real things like rain and mud; to have contact with nature.
We have, of course, long since ceased to think of Nature as the sympathetic mirror of our moods, or to imagine that she has any concern with the temporal affairs of man.
When you're sitting in front of a screen, you're not using all of your senses at the same time. Nowhere than in nature do kids use their senses in such a stimulated way.
Time spent in nature is the most cost-effective and powerful way to counteract the burnout and sort of depression that we feel when we sit in front of a computer all day.
The farther we peer into space, the more we realize that the nature of the universe cannot be understood fully by inspecting spiral galaxies or watching distant supernovas. It lies deeper. It involves our very selves.
The powers, aspirations, and mission of man are such as to raise the study of his origin and nature, inevitably and by the very necessity of the case, from the mere physiological to the psychological stage of scientific operations.
Usually I like to improvise. Sometimes, depending on the nature of the piece, I like to improvise because I think it brings certain freshness and a reality to it, as long as it doesn't go too far out of the box.
In essence, Chrome OS is the GNU/Linux operating system. However, it is delivered without the usual applications, and rigged up to impede and discourage installing applications. I'd say the problem is in the nature of the job ChromeOS is designed to ...
I'm an actor that likes to go to work. I like going to work every day. I'm a worker by nature. I'm not someone who does one film a year and feels satisfied by that.