In '87 - four years after 'Sports' was released - my family and I began vacationing in Montana. I soon bought my first piece of land in Ravalli County, in the western part of the state.
My family has spent 400 years farming on the banks of the Rio Grande. We know the value of hard work, love of the community, love for water and land.
Years go by, but the heart of what we all fight and die for at the core is the same. We fight and die for love and our family and our land and for what's ours. We do things for something as simple as pride.
All my family back to the 1700s were water Gypsies. My brothers and me, we were the first ones to be born on dry land. All the rest of them were born on barges in the canals.
Mongolia is a country of rich and ancient heritage, unique culture and astounding natural beauty. It is a land of free and brave, peace-loving and hard-working people.
I farm - there is something visceral about being attached to the land. I am a recording engineer. I do my own laundry most days, and I get on with the business of living.
The known is finite, the unknown infinite; intellectually we stand on an islet in the midst of an illimitable ocean of inexplicability. Our business in every generation is to reclaim a little more land, to add something to the extent and the solidity...
I remember girls watching it in high school, and I thought the basketball part of the show was cool. And lo and behold, a few years later, I found myself in 'Tree Hill' land.
I pass over the toil and suffering and danger which attended the redemption and cultivation of their lands by the colonists, and turn to their civil condition and to the conduct and history of the government.
After a century of striving, after a year of debate, after a historic vote, health care reform is no longer an unmet promise. It is the law of the land.
By the time I land in Iowa, I feel like my mind is more open to the reality of being back home and focusing on the problems of the people in my district.
Usually pilot season is very busy, and there are lots of auditions and lots of near misses and rejections. This year, I had two auditions, landed this role and it felt like being home again.
The night I flew out from Rwanda, I landed in Nairobi, and I was on my way back home, and my left side started to paralyze and remained paralyzed with pain, and the stress and so on began to appear physically.
I had in mind a message, although I hope it doesn't intrude too badly, persuading Americans, and especially Southerners, of the critical importance of land and our vanishing natural environment and wildlife.
Millions upon millions of people came here full of hope and aspiration to this extraordinary land of liberty and opportunity, and helped build the United States. So the Atlantic Ocean was absolutely critical to the story of America.
The making of an American begins at the point where he himself rejects all other ties, any other history, and himself adopts the vesture of his adopted land.
I happened to happened to land in a time, in the middle '60s, that without knowing it, and without being told by the history of theater - which we now see from a historical point of view was an explosive time.
Heretofore there has always been in the history of the world a comparatively unoccupied land westward, into which the crowded countries of the East have poured their surplus populations.
If you've got a plot the size of a car or a tiny yard in Italy, you're going to be growing tomatoes and basil and celery and carrots, and everybody is still connected to the land.
My mother had very humble beginnings - to put it mildly. Her dad built their home out of timber that he cut down on their land. No heat, no air-conditioning - 'no foolishness,' as he would call it.
And when you really think about the 9-11 event, the horrific attack on our land here in America and the death of three thousand of out loved ones, it was a defining moment.
