I've got a soft spot for Theatr Colwyn because my granddad used to run the Colwyn amateur dramatic society in the 1930s.
I used to love stage above all, but that was when I was a single man. As I get older, the time commitment gets harder for theatre.
I love little theatres because it's very intimate, and you can have a very easy rapport with the audience. Everyone's in the same room.
I don't profess to have music as my big wheel and there are a number of other things as important to me apart from music. Theatre and mime, for instance.
Opera is the original marriage of words and music, and there's a theatre element, a dramatic element. It's right up my alley.
'The Globe' is one of the most terrifying theatres in London. It's that mob element - everyone packed in and staring up at you.
The difference between a theatre with and without an audience is enormous. There is a palpable, critical energy created by the presence of the audience.
Acting must be scaled down for the screen. A drawing room is a lot smaller than a theatre auditorium.
I really look up to actors like Gwyneth Paltrow and Cate Blanchett who have a strong background in theatre.
Mum did a lot of commercial theatre and farces in the 1980s and '90s to make sure the school bills were paid.
Film is where I want to end up, but I don't want to let go of theatre.
I come out of repertory theatre so I've been working under pressure my whole career.
Fifteen years before I became a screen actor, I was in the theatre. A lot of my work was comedy, which I loved doing. It's harder.
Each of my Shakespeare pieces is different to the other, but each espouses a set of philosophies common to all my theatre work.
I propose the following definition of the nation: it is an imagined political community-and imagined as both inherently limited and sovereign. It is imagined because the members of even the smallest nation will never know most of their fellow-members...
The hand that rocks the cradle rules the nation and its destiny.
When teachers participate in a literary experience with a professionally presented children's play, they are offering their students a text quite different from anything that they will experience within their classrooms. Within this literary experien...
A good government may, indeed, redress the grievances of an injured people; but a strong people can alone build up a great nation.
Culture is always on the move.
All countries, big or small, strong or weak, are equal members of the United Nations.
America has to stand up and decide if we want to be a socialist nation or if we're going to be a free nation.
