If there be any plausible reason for supposing that we have the right to legislate on the slave interests of the District, you cannot put down the investigation of the subject out of doors, by refusing to receive petitions.
A publisher should always be on the receiving end. He should take an interest in almost any subject and remain anonymous, letting the author take center stage.
The judge gave Michael permission to issue a statement. I think Jackson went way outside the bounds of the judge's intent. It will be interesting to see what the judge does tomorrow in court.
So, once I get writing I really try and put five to eight hours a day in my room with a guitar to really try and come up with stuff that feels interesting enough to me to keep it.
The drafts which true genius draws upon posterity, although they may not always be honored so soon as they are due, are sure to be paid with compound interest in the end.
I'm very interested in how we read things, especially the link between seeing two-dimensional and three-dimensional images, because of how I read.
Punk rock really came out of N.Y. as a philosophy before the groups were ever recorded. I had a kind-of intellectual interest in the idea of creating a new scene that could be a grassroots thing.
Academic scientists aren't generally interested in books for the public. So when one comes out, the authors can't expect much praise from scientists. My goal both as a singer and an instructor is to educate through provocation and entertainment.
When Disney was creating Elsa, they based a lot of her movements on that of a ballerina, which was interesting for me to find out because I actually did ballet years ago. That definitely informed some of the ways I made her walk and move.
Scene study is isolated. I suppose it's interesting, but I don't think it really teaches you about a throughline. A throughline is something you feel when you do one scene followed by another followed by another.
I think it's more interesting to throw people into a story and let them catch up instead of explaining and feeling like you have to slow down for them. I think audiences, for the most part, they don't want to be ahead of you.
I never pursued anything but acting. But as a kid, I was really interested in the Supreme Court. I wanted to to be a Supreme Court justice, but didn't want to be a lawyer. I just wanted to go straight to being a justice.
There wasn't much as a kid that inspired me in what I did as an adult, but I was always very interested in what motivates people, and in telling stories and building things.
I am still interested in the long or serial poem, but have written a few smaller things. I may start sending to journals again in a year or so... that's about it.
Something interesting has happened over the last 10 years in the Premier League. Players who once would have been discarded as expensive and too old have become important parts of title-winning squads.
Too many talented and supremely calculating politicians, including Nixon and Clinton, have destroyed their careers, or come close, by acting in ways that were obviously against their own interests.
It's interesting because Swedes subtitle everything, so they're so used to it. When my wife watches a show with subtitles, she has a skill to be able to watch and read. Whereas I'm more of a read or watch.
I wanted to do a comedy. I'd been actively looking for a comedy. I wanted to do one that was different. Nothing against them, but I wasn't interested in just your normal sitcom, boy meets girl.
Even before I came to Chicago, I had gotten interested in the existence of dispersion of prices under conditions which economic theory said would yield a single price.
I like the songs to appear very simple and to flow by without any kind of hiccup, but there has to be this impression of other currents underneath. Like if the songs aren't, on some level, multidimensional, we lose interest in them.
Alas! Where love is concerned, self-interested deception is superior to the truth itself, which is why so many men pay so high a price to clever deceivers.
