Narrator: When Jean-Baptiste did finally learn to speak he soon found that everyday language proved inadequate for all the olfactory experiences accumulating within himself.
[first lines] Narrator: Royal Tenenbaum bought the house on Archer Avenue in the winter of his 35th year. Over the next decade, he and his wife had three children, and then they separated.
Sometimes we need to step back and understand the power of video games. 'Dear Esther' does just that. Through visuals, audio, and narration, this title weaves a story around the player as they explore different areas in the game.
I'm narrating the television series Biography. I'm still involved in my music - I have a new album out. I have an animated project in development. I'm writing a lot of things and you never know if one of them is going to become a six or seven year pr...
Narrator: Most days of the year are unremarkable. They begin and they end with no lasting memory made in between. Most days have no impact on the course of a life.
Narrator: Most days of the year are unremarkable. They begin, and they end, with no lasting memories made in between. Most days have no impact on the course of a life. May 23rd was a Wednesday.
Narrator: Tom walked to her apartment, intoxicated by the promise of the evening. He believed that this time his expectations would align with reality...
Lester Burnham: [narrating] That's my wife, Carolyn. See the way the handle on her pruning shears matches her gardening clogs? That's not an accident.
Narrator: Amelie has one friend, Blubber. Alas the home environment has made Blubber suicidal. [Pet fish leaps out of fish bowl in an attempt at suicide]
Jake Sully: [Narrating] The way I had it figured, Toruk's the baddest cat in the sky. Nothing attacks him. So why would he ever look up? That was just a theory.
Jake Sully: [Narrating] Learning to ride an ikran - we call 'em banshees - is a test every young hunter has to pass. But to do that, you gotta go where the banshees are. Boo-rah.
Holly Sargis: [voice over narration] We hid out in the wilderness down by a river in the grove of Cotton Woods. Being the flood season we built our house in the trees.
Holly Sargis: [voice over narration] We planned a huge network of tunnels under the forrest floor, and our first order of business every morning was to decide on a new pathway for the day.
Young Ed Bloom: [voice over narration] I was the biggest thing Ashton had ever seen. Until one day, a stranger arrived.
Narrator: [voice-over] Fate had determined that he should leave none of his race behind him, and that he should finish his life poor, lonely and childless.
I was not aware of how much I loved 'Canoa' until I saw it after doing 'Y Tu Mama Tambien' and realized that my voice - over about the story's historical context - that narrator - came from 'Canoa'.
I'm starting to think my narrators' sentences are getting too big for them, and they are getting to sound a bit samey and, more disturbingly, a bit too much like me.
I didn't know how to kill off a character unless I was able, as a narrator, to get really complicated. Because it was a big deal. I'd never killed a character before.
Raoul Duke: [Narrating] Ah, devil ether. It makes you behave like the village drunkard in some early Irish novel. Total loss of all basic motor skills. Blurred vision, no balance, numb tongue. The mind recoils in horror, unable to communicate with th...
I think the one that's going to be the hardest to make into a film is the one that's probably going to be made into a film, which is 'The Art of Racing in the Rain.' I mean, it's narrated by a dog. How do you do that? But hopefully we'll get to see.
Sad, slow music in the small hours of the morning isn't just sad and slow music. It's a narration. And through the myriad of morning dew, we are the twinkling stars that fade with the rising sun.
