I kinda went back to that period between '88 and '94 where I felt like I was the most creative, without being hindered by powers that be. I was no longer going to try to hinder myself to what I thought was going to be on the radio.
I'm not afraid to go completely over the top. A lot of people are scared to seem silly or to embarrass themselves, and I really don't have that at all - I don't mind making a fool of myself. I like to just have fun and really go for it.
I don’t know if this happens in all relationships, but I just got so sick of his all too familiar stories. I had heard these stories so many times that I could have recited them myself.
Similarly, only people as misanthropic as myself can be counted on not to have to lie to others, since we have the unique luxury of not caring what sort of opinions others formulate about us.
I left home and tried to live the life of a hermit, but I was still fighting myself. I went to England and worked as a chainman on the road. It was better therapy than the shrinks. Building a two-mile road gave me internal peace.
Right around 2004 when 'Ray' came out, I made a conscious decision to be more discerning because I thought to myself, 'After something like this, I really have to try to be strong enough to turn stuff down.'
We obsess about celebrities. We create them, build myths around them, and then hunt them and destroy them. I don't know where it's taking us or what it means, but I know we do it. I have seen a lot of it myself.
At first, I see pictures of a story in my mind. Then creating the story comes from asking questions of myself. I guess you might call it the 'what if - what then' approach to writing and illustration.
When somebody says, 'This must be a children's book,' basically they're saying, 'You must be a child.' And so my answer is, 'Well, yes, I guess I am a child.' But I don't think of myself that way.
While the word 'bisexual' was technically correct, I would only slowly come to use it to refer to myself in part because of the derisive connotations. But, in addition, it would seem to me woefully inadequate and impressionistically inaccurate.
I went backwards and forwards over it until I was 22. And then in the past few years I began to say to myself, OK, look, I'm not messing around. This is something I want to attack, instead of thinking, I'll just see what happens with it.
Naturally, I've always felt more like a writer myself, and I've always written. I have people who are writers who've been promoting that side of me. I also draw, too. Those things I feel most comfortable in.
My entire life, I saw myself as the beautiful damsel or the graceful maiden. I was the princess searching for her knight. But with my newfound abilities, I finally discovered that, after all this time, I was the powerful witch.
I am climbing Mt. Kilimanjaro in Africa this Summer as a personal physical goal for myself, but also as a way to bring on sponsors and raise awareness and funds to help benefit the programs and initiatives of Chefs for Humanity.
Justice to my readers compels me to admit that I write because I have nothing to do; justice to myself induces me to add that I will cease to write the moment I have nothing to say.
Are the days of winter sunshine just as sad for you, too? When it is misty, in the evenings, and I am out walking by myself, it seems to me that the rain is falling through my heart and causing it to crumble into ruins.
I keep reminding myself, through all the ups and downs of 'Community,' that I might never have another job that really means something to people the way 'Community' means something to people. That's more powerful than ratings.
When an acquaintance goes by I often step back from my window, not so much to spare him the effort of acknowledging me as to spare myself the embarrassment of seeing that he has not done so.
Men ask for a rainbow in the cloud; but I would ask more from Thee. I would be, in my cloud, myself a rainbow -- a minister to others' joy. My patience will be perfect when it can work in the vineyard
I know now that most people are so closely concerned with themselves that they are not aware of their own individuality, I can see myself, and it has helped me to say what I want to say in paint.
In terms of the feeling of the piece, I cant think about what people are gonna think about it, what are the critics gonna say, I'm trying to bring some resolution, and realize that myself. It's a struggle; it's a process that gets us this.
