My background is a small town with no movie theater. So... I always pictured myself onstage. I went to acting school and learned all the skills. I left early because I did my first movie and discovered that I really loved the minimalistic work with t...
I consider myself an actor that tries to have as many tools as possible in the bag. And I think that includes the method, then of course it includes some improv techniques, and includes all kinds of different things, because you never know when you'r...
I have done a lot of work in Hollywood myself. I worked in television for roughly 10 years, from the mid-'80s to mid-'90s. And I was on staff at a couple of shows. I did some feature films, including originals and adaptations.
Hard work does pay, and you just have to continue to work, and you got two guys, when you're talking about Gary and myself, we have a God-given talent, but we worked at it and we're happy to be where we are today.
I think my expectations for myself are much more severe and much more direct. You can't work on a film for six years without being your own toughest critic. So you can't really be distracted by the expectations based on your previous performance.
I still sweat bullets if I go on The Tonight Show, but I tell myself, You can either have fun tonight or you can be shy and miserable. You ask my friends or anyone I work with now - nobody would say I was shy.
I do try to do high-impact work, and I try to think of ideas people haven't thought about that have broad implications, but I don't restrict myself to that. I try to work on things that I find interesting.
In 2004, I was on the West End stage in The Woman In White, and for every show I had to climb into a fat suit to play the obese Count Fosco. It was hard work, and unbearably hot, but I sailed through because I'd always kept myself fit.
I don't know what people find or like in me, I'm hopelessly commonplace! Current appreciation of my work is a bit highbrow, I've always considered myself a popular artist.
I don't play fantasy baseball anymore now because it's too much work, and I feel like I have to hold myself up to such a high standard. I'm pretty serious about my fantasy football, though.
I know I can't do everything myself. So I know I specialize in my melodies and I do some of my demo work. I pass it on to my producers who are much better at the production level.
Bearing an eternal longing for Jewishness, I threw myself in all directions and left to work for another people. I am not one of those lucky ones raised in their own environment, whose work is normal.
I'd been kind of a hiccup in my parents' lives. They lost track of me and I didn't know what I was going to do with myself. And then fate reached in and took me in its hands. I was discovered right out of high school and started getting work.
I look at other filmmakers and see skills in them that I wish I had but I know that I don't. I feel like I have to work really hard to keep myself afloat, doing what I do. But I find it pleasurable.
There aren't a lot of cover bands that do Boston material or do it well, and the reason for that is that they are hard to play. So we put a lot of work into it. The musicians that I've managed to surround myself with after all of these years are indi...
All of my scripts are based on other people's novels. Generally, I consider myself as one who writes for theatre. I do not see film work as a continuation of writing for theatre. It is more of an interruption of the writing process.
But now - look, I have to take care of myself. I work out every day. I'm a dancer. I've always been an athlete, and I'm one of those people who start to go crazy if they don't run or do something.
Writing is pretty flexible work, don't you think? If you want to surf, you just have to get a lot done when the waves are lousy. That's what I'm always telling myself, anyway - write while the surf's down!
I still get enormous pleasure and a sense of fulfillment out of writing a book that I'm proud of. I see myself as a bit like a jewel-maker who can sit back and admire his work.
Most women would say they relate to 'Hedda Gabler' - there's a part of her in them. Ibsen was writing about a deep ambivalence that many women feel about domesticity. I think about myself and friends of mine - we have some of Hedda's qualities and tr...
I believe that Brazil was prepared to elect a woman. Why? Because Brazilian women achieved that. I didn't come here by myself, by my own merits. We are a majority here in this country.
