I started LearnVest with a tiny savings account where I paid designers, technologists, and even bartered... Because I started with paying for things myself with my own savings, it sharpened my focus of how to spend money.
I keep my distance from politics. Lots of money has been offered to me for campaigning over the years, and I have always refused. I used to be very politically aware and very opinionated, but I don't want to involve myself.
Fashion is more about taste than money - you have to understand your body and tailor clothes to your needs; it's all about the fit. I do the alterations myself - I'm quite a seamstress - it's the influence of my Hungarian mother.
When I was running 'round in America, about 30 years old, I didn't want no woman. I knowed I could make enough money to take care of myself, but I didn't want nobody to take care of.
I never felt hard done by and never wanted for anything, but I grew up in a wealthy area where I saw people being handed things on a plate. So it made me want to earn some money and be able to buy things for myself.
When I was 9, my parents let me take a cab to the mall all by myself. I had hardly any money to spend, but I did have a very specific list of things I wanted to do: buy cookies and sit on the furniture at Sears.
When I spend money on myself, it's almost always on shoes and clothes. I'm addicted to shoes. I always have been, since I was a kid. When I was young, I could never get the shoes I really wanted.
We developed microfinance to fight loan sharks - I was telling people don't go to loan sharks - not trying to take advantage and make money for myself. I would be a junior loan shark if I did... It is not a panacea.
I'll admit, sometimes I've paid the bills with acting. You know the phrase, 'It's one for the money, two for the showreel.' I don't want that as a director. I don't want to compromise myself. There's a big old wide world out there. I want to explore ...
When I was practicing psychology, I used to tell myself if I ever get to where I'm just doing this for the money or I'm just going through the motions, I'll quit.
I didn't do a masters in creative writing until I was 26, which is quite old, and then I found myself in New York and I needed money, so I started working full time as an editor.
I usually just dress myself. I typically make something or buy something and fix it up. I really like to spend my money on accessories like bags, shoes, belts. I don't really spend on things I can make.
It would be easy to blame Hollywood to say that I was typed and forced to play the same role over and over. For a while, I did. But the truth is that I knew what I was doing. I was enjoying myself. I was making money.
The first time I was given money to shop for myself, I was 13 and staying with my godmother in New York. I went to Clinique and bought the three-step acne programme and felt so grown-up.
When I was in Birmingham I used to go to a place called Redwood Field. I used to get there for a two o'clock game. Where can you make this kind of money playing sports? It was just a pleasure to go out and enjoy myself and get paid for it.
All novels are about crime. You'd be hard pressed to find any novel that does not have an element of crime. I don't see myself as a crime novelist, but there are crimes in my books. That's the nature of storytelling, if you want to reflect the real w...
I like playing characters who are fractured, broken. I find that more relatable, for some reason. I don't feel that I'm like that myself by nature, but there's just something that you can really grab hold of if people have a darkness in them, I think...
I tell myself I write because I want to say something true and original about the nature of evil. That is very ambitious - to say something about the human condition that hasn't been written before. Probably I will never succeed but that is what I st...
I look at an ant and I see myself: a native South African, endowed by nature with a strength much greater than my size so I might cope with the weight of a racism that crushes my spirit.
It is very important when you judge to recognize that you have to stay impartial. That's what the nature of my job is. I have to unhook myself from my emotional responses and try to stay within my unemotional, objective persona.
I build a kind of wall between myself and t he model so that I can paint in peace behind it. Otherwise, she might say something that confuses and distracts me.
