You can' t help being a musician because you've grown up with music, yet being one means being compared to your dad and being slated for it. But I really don't have the ambitions of most people going into the industry.
I don't really know any other musicians like me. I grew up backstage with my dad who played in a post-war dance band, so I always feel at home at a venue.
When we started making electronic music I imagined that the reaction we got from the rock musicians must have been similar to the one the beat groups got from people like my dad.
I grew up wanting to be a musician, but my parents were sure I would starve to death. So, they put me in physics and chemistry. That eventually blew up, and I got into radio.
When younger writers and poets, musicians and painters are weakened by a stemming of funds, they come to me saddened, not as full of dreams and excitement and ideas. I am then weakened and diminished, and made less rich.
That's Tommy, this great producer who comes in contact with people and must have a mental library of personnel who are great for this and great for that, and he brought this whole group of musicians to the project that I'd never worked with before.
I became a musician because I love music, and that is what has sustained me; it's not because I thought it was a great way to make a living. Music saved my life.
I also had a brother who was like me a musician and a composer. A man of great talent, far more gifted than I. He died very young... he killed himself in the prime of his life.
I'm a keen musician. Me and my mates have a great times jamming and recording stuff. We have a great band behind us and have turned my nursery-rhyme songs into quite credible pieces of music.
I'm more of an actor than a musician. I've made a little name for myself as an actor, but I also front this band. We have some great players out here, and we've found a little niche with L.A. Hootenanny.
When I auditioned for my high school band the band director was excited because my father was known to be a great musician. When he heard me, he said 'Are you sure you're Ellis's son?'
I love music and I love musicians and when I hear something that's great, I always say it's like you go to a movie and you can't wait to tell your friends about it.
The deeper I get into my life as a musician, I'm discovering that it becomes less and less about other people, and more about what I want to do. And that's a good place to be.
I've been a list maker for years, even before I was a musician. I was always writing things down and kept long lists of things that would make good album titles and things like that. I'm constantly thinking in terms of songwriting.
Growing up listening to rap music, you almost feel like you should have haters. That's an important part of being a successful musician. It's a good thing, I guess.
I don't like to travel as much as I have in the past, but it's good for my soul to get to pick, especially with these good musicians and these guys that play so well.
Hamp would ask me about tempos in the band: 'Jacquet,' he'd say, 'knock off that tempo.' A lot of jazz musicians didn't prefer to play for dancers, which was their loss, really. But good jazz has always had that dance feel.
In Berlin I especially enjoyed the orchestral concerts, and I attended a large number of them. I formed the acquaintance of a good many musicians, several of whom spoke of my playing in high terms.
And as I grew older, I then auditioned for the Royal Academy of Music in London, and they said, well, no, we won't accept you, because we haven't a clue - you know - of the future of a so-called 'deaf' musician. And I just couldn't quite accept that.
You know, it's funny... when you're making money, people don't think you're playing jazz. Now when you're not making money, people think that you're a good jazz musician.
I never said that I wanted to be an actor when I was a kid. I didn't know. I thought I was going to be a singer and musician. That's what I had been doing, for a huge part of my life.
