[last lines] Driver: Well, sir, going home! T.E. Lawrence: Mm? [realizes that he has been addressed] Driver: Home, sir! [an army lorry passes. It carries Tommies singing a music hall ditty of the period: "Goodbye Dolly, I must leave you... "]
Georg Dreyman: You know what Lenin said about Beethoven's Appassionata, 'If I keep listening to it, I won't finish the revolution.' Can anyone who has heard this music, I mean truly heard it, really be a bad person?
Bob Slydell: I'll be honest with you, I love his music. I do. I'm a Michael Bolton fan. For my money, I don't know if it gets any better than when he sings "When a Man Loves a Woman".
Dr. Lesh: Would your family welcome a serious investigation of these disturbances by someone who can make firsthand observations? Steve: Look, Dr. Lesh. We don't care about the disturbances, the pounding and the flashing, the screaming, the music. We...
Captain von Trapp: I don't care to hear anything further from you about my children. Maria: I am not finished yet! Captain von Trapp: Oh, yes, you are, Captain! [pauses] Captain von Trapp: Fraulein.
[singing starts somewhere inside] Captain von Trapp: What's that? Maria: It's singing. Captain von Trapp: Yes, I realize it's singing, but who? Maria: The children. Captain von Trapp: The children? Maria: I taught them something to sing for the Baron...
Herr Zeller: I've not asked you where you and your family are going. Nor have you asked me why I am here. Captain von Trapp: Well, apparently, we're both suffering from a deplorable lack of curiosity.
Captain von Trapp: You are the twelfth in a long line of governesses who have come here to look after my children since their mother died. I trust you will be an improvement on the last one. She stayed only two hours.
I didn't have the money to put myself through drama school, so I thought - naively - that if I wrote a play and put it on at the Edinburgh Fringe Festival, agents would see me and that would be my ticket to Hollywood. I wrote a musical; an acting coa...
I often call Daptone the Motown and Stax of today. But in some ways, it's different. At Motown, a lot of the musicians didn't get recognized, music got stolen, and people didn't get paid. Or the label would just throw them a pinch of money for their ...
In hip-hop, what you have is you have a lot of formulaic-type bands or rappers that come up. They saw something on the radio, and they want to mimic that formula. And that's just boring. I don't wanna record something just to make money; I want to re...
When I decided to be a musician I reckoned that that was going to be the way of less profit, less money. I was sort of giving up the idea of making a lot of money. It was what I loved to do. I would have done it anyway. If I'd had to work at Taco Bel...
The CD is now the wax album and so it is a collector's item for people who collect music and love to look at the liner notes and feel paper. I don't know what would turn them on about having to go through that terrible exercise of trying to open the ...
My father was a jazz tenor sax player. He played in a lot of big bands. So I had that sound around me all the time. The first record that really caught my ear was Clifford Brown's 'Brownie Eyes.' I grew up listening to John Coltrane and Illinois Jacq...
I love the smell of a theater. The old rooms and the carpet and all that stuff. I love to tell stories. Even before I was doing music, I saw myself as a director. So most of my songs come in a play form, you know, where there are characters and stori...
The people who I grew up making music with, we've all grown up and become successful in different ways. My manager supported me since I was 16 and believed in me as a musician. He's been there since Day 1, and there's so much to be said about doing s...
I would love to sign on to do a movie if it was the right role and if it was the right script, because I would be taking time away from music to tell a big grand story, and spend all of my time and pouring all of my emotions into being someone else. ...
My definition of hip hop is taking elements from many other spheres of music to make hip hop. Whether it be breakbeat, whether it be the groove and grunt of James Brown or the pickle-pop sounds of Kraftwerk or Yellow Magic Orchestra, hip hop is also ...
As a parent with young children, I would always find little things that bothered me when I was reading bedtime stories or watching shows or listening to children's music. I couldn't find any stories, games or television shows that were fun and exciti...
I know for a fact that if I could do only music, I'd be out of my mind, insane. I'd be stressed-out; there's so much work. I mean, you work constantly; there are no breaks, really. If you're not promoting a record, you're making one. If you're not ma...
The first record I made when I was 17. Labels merged and plans didn't work out, but plans never work out as planned. But I never stopped making music. I never had a backup plan. I never thought, 'Maybe I should just write, or maybe I should...' I jus...
