I always enjoyed participating in artistic endeavors, and I remember in high school participating in chorus, drama and singing madrigals, mainly because they were an easy A. I loved being in plays and musicals too, but you didn't really get credit fo...
We were playing, not for the drunks, but for the musicians, because it was more intellectually challenging. We needed somewhere to put our energy to show that we were growing, and as we started to achieve this, people came to hear us musically.
Running is very rhythmic, and I have written a lot of lyrics while out running. It's a very musical exercise, and sometimes I like to sing when I run. Your whole body is doing the same thing.
While many of my musicals deal with big themes and ideas, I don't intentionally go looking to write shows like that. A story will interest me, and then somewhere along the way, I discover that hidden inside are these epic themes.
I think every artist subconsciously wants to evolve themselves. Sometimes they get stuck in ruts because of pop culture, peer pressure, stuff like that. But what excites me most is exploring my own musical insights and expanding upon them.
You don't have to be a professional to play music. Close your eyes, take a deep breath.. And let it out. Let the violin dance, the guitar fascinate, the flute sing, the piano composes. Just. Let. It. Go.
Music, oh, how faint, how weak, Language fades before thy spell! Why should Feeling ever speak, When thou canst breathe her soul so well?
So, through all that early professional career I would occasionally do a musical, a pantomime or a play with songs. The next stop would be a Shakespeare, or an Ibsen, or a play by a brand new writer who had never done anything in the theater before.
If our main goal is to connect emotionally, we should want to have as many tools as we possibly can to achieve that goal. The more abilities that we have, the more choices we can make musically.
Men know how to read printed books; they do not know how to read the unprinted ones. They can play on a stringed harp, but not on a stringless one. Applying themselves to the superficial instead of the profound, how should they understand music or po...
To help someone, or make them feel special; all it needs is to offer the tools which are thrust, and guidance, and show that you believe in the persons potential. The product is musical notes floating everywhere.” Katia M. S.
The bar . . . is an exercise in solitude. Above all else, it must be quiet, dark, very comfortable - and, contrary to modern mores, no music of any kind, no matter how faint. In sum, there should be no more than a dozen tables, and a client that does...
I don't like rock. Honestly, I like to listen to it, but it's not for me. There's a lot of musical genres that I find interesting, but they don't suit me. It's one thing to listen to different genres, but to perform a genre that isn't yours is counte...
I did quite a lot of the arranging, fitting different sections together, tempo changes, all sorts of things like that. I actually acted as a bridge between Robert and Ian. Not so much composing, rather presenting musical ideas at each rehearsal.
In my head, I have the most sensational singing voice. I perform concerts to thousands in the shower. The reality is I can hold a tune. The dream is a West End musical one day - no, really!
When tired, when bored, when happy, when unhappy, when night, when day, when cold, when hot, when nervous, when relaxed you always need music to fly into another dimension, the Dimension of Mindlessness!
People ask me how I make music. I tell them I just step into it. It's like stepping into a river and joining the flow. Every moment in the river has its song.
A half-dead thing in a stark, dead world, clean mad for the muck called gold; While high overhead, green, yellow and red, the North Lights swept in bars?- Then you've a hunch was the music meant...hunger and night and the stars.
My earliest professional musical experiences were really as a session player, and every day was an adventure. Three sessions a day, every day, and you never knew who you would be working with until you arrived at the studio.
From their '61 Cavern Club debut to their last rooftop concert eight years later, The Beatles gave every serious artist in their wake the songbook and sound for their career. It's the musical trough from which nearly every musician drinks.
People say, 'What are your hobbies?' I say, 'I've been doing shows ever since I was a kid.' When I left college, all I wanted to be was a musical theater chick. I auditioned tons. It just didn't pan out.
