I still maintain several different outlets of artistry, like my music, photography, writing and all those things. I don't pigeonhole myself into one thing. I do all sorts of things, and that's so important to me.
For years, I've thought about a project or a way where I could do acting and music together, and I never really thought that would happen. Then 'Nashville' came along, and it was like a dream come true to marry both of those worlds.
I just like playing music and doing it with people that I care about. It doesn't really matter where. It's like, 'Why don't we just play piano in a small bar? Why do we want to make an arena full of people happy?'
The only thing I've ever wanted to do is really make people happy, offer some sort of positivity with music that I've written. The Chili Peppers do that for people. They're already established. I still want something that came out of me, and out of m...
Some writers like to work in other places like coffee shops, but I can't - I'd end up people-watching. And if I were at a bookstore, I'd be reading. Sometimes I have some music on, but usually I like it quiet.
But the idea of taking things and mixing them together is what I do in my music. I take hip-hop, R&B, pop, dance, funk and soul and mix it all together to get my own sound.
I loved the last album, and it was one hundred percent me. But this is like me two years later, who understands a little bit more about music and understands a little bit more about making an album. I wrote a lot more.
What I believe to be jazz is constructed and improvised music which is in the air right now. But I don't think that's most people's definition of jazz, you know? We don't know what we're talking about, because we don't know the definition.
Any new ideas go into PiL. My inspiration is everything that the human being gets up to. I don't listen to any music when I'm in PiL-zone, because influences can poison your well. Otherwise, I listen to anything.
I've been in very many situations where I've not liked the other members of the band or they have not liked me. I grew up presuming that's the way music was made. It doesn't need to be that way. It's taken me years years to find that out.
Since her landmark 'Tapestry,' Carole King has both oversimplified and over elaborated that masterful album's style until her music has become something more overtly but less effectively personal.
I like to think of my style as pretty versatile. And I'd like whatever I record to reflect that to be mostly genre - to be just something that people want to listen on to see what I'm going to come up with next. That's the kind of music I'm into.
When Kenny first came to me, I think he was thinking of making a nice little folk record, but in my opinion, folk music had come to an end and I felt he needed to go to the next step, the next generation.
I would like to see more African-American singers as part of our opera companies. If you take music and the arts out of the public schools, then you're going to lose a lot of people that you might have discovered were talented, very early.
The biggest question I have is if you're a rock singer or a rock 'n' roll band, or if you're a pop singer... if you've made your way in another genre of music and now you want to make a country record, why? That's my question. Why?
You can pick songs that sound like hits, but if it's not something that somebody wants to tell their friends, 'Hey man, have you heard this song?' then I don't think it's worth it. The only way to get your music out there, is for someone to tell thei...
Music videos may seem old hat now, but let me tell you, in the summer of 1981, MTV was indubitably the coolest thing ever invented. And the people who were in the videos... coolest people ever. No question.
When I started getting so many haters and closed doors, I decided to prove that it could be done. I was a divorced single mother of three at the time and a size 12 - not your typical model artist that labels feel work for the music industry.
My inspiration is always what I think my fans want to listen to. I often write about social problems. If I'm not going through it or I haven't gone through it, I want to make sure it touches someone. That's what I base my music on.
I think with drama, at least for me, my process, there's a lot of thought. I do a lot of back story. I listen to a lot of music. I'm very committed to a process when it comes to drama, but with comedy, I think it's really about letting loose.
If you ask someone if they like music, they look at you strangely. It seems to be a universal given. Like asking someone if they like breathing. It is like breathing. Or air, rather. Flowing without and within. A matrix within which our lives are set...
