I've accepted the fact that Limp Bizkit is my band, one that I'm a part of, a band that I've built from the beginning. It does me no good to be in somebody else's band playing their music, like Marilyn Manson or Korn. Being in Limp Bizkit allows me t...
Those who decide to use leisure as a means of mental development, who love good music, good books, good pictures, good plays, good company, good conversation - what are they? They are the happiest people in the world.
I don't think it's ever changed, whether its Frank Sinatra, Glenn Miller, Zeppelin, Guns n' Roses or anyone today, the reason why you get into music is because you love it, and if you're good at it, that's a plus.
It's true that I have a wide range of interests. I like to write and paint and make music and go walking on my own and garden. In fact, gardening is probably what I enjoy doing more than anything else.
I feel connected to my generation through the music, but I also fear for us. We're in a very self-destructive state where we're addicted to outside opinions and we all feel like we have fans.
Cartola is an artist from Brazil who didn't record until much later in his life, but had a big influence on a lot of famous artists down there, like Gilberto Gil. I discovered his music recently when I was in Brazil.
In the future, I kind of like the idea of doing music for film. I think that would be a nice job. I've always liked the sound aspect in movies. I guess once I have more instruments under my belt, it could be something I could do.
I've been a solo artist for a year now, and I think I should start thinking about the future now. Every spare time I get, I want to be in the studio and work on music for 2015. It's a lot of work.
It's a bit like school camp, shooting a film. Everyone's on heat. It's a strange energy. It's full of adrenalin. I funnel my excess energy in funny little ways. I do a lot of dancing in my trailer. I love music.
There were a lot of R&B groups that were my heroes, but the funny thing about my career and the way it went and where it went, at first I didn't really want to do pop music. I was a little bit more into jazz and R&B.
I love weird or funny or beautiful sentences; Joy Williams could write a microwave-oven manual and I'm sure I'd love it, because the sentences would be tuned up like music.
I think it's funny how excited people can get about things I say that don't have anything to do with music. I made a disparaging comment about McDonald's on Twitter once and people flipped out on me.
When I was in high school, I was a bad singer. I mean, all my early acting was musical theater, and my first ever show was 'Jesus Christ Superstar.' Everyone's familiar with it. I played priest number 3 and sang so out of tune that it's not even funn...
Every James Brown cut makes a party get crazy. He's the god of all music. I always play different wild remixes of his songs because people start bugging out when they realise what I'm playing.
Religion can make it worse. Are you supposing that if people were encouraged to believe in a transcendent reality, and to be encouraged by grand rituals and music and preaching, to love their neighbors, then they would put jealousy and frustration as...
One of the interesting things about having little musical knowledge is that you generate surprising results sometimes; you move to places you wouldn't if you knew better.
I didn't have any knowledge of the music industry when I first got to L.A., and I really didn't know on a creative level what I wanted to sound like, so I had to do a lot of experimenting. It led to a spiral of depression and being broke.
I've been playing music all my life, from being a choir soloist at Symphony Hall as a youngster to playing in bands through high school and college at Kent State. Went in the service at 17, out before I was 21.
The first time that I came to New York to work properly was the mid-'80s, but I was doing eight shows a week. You have no life. Going to a punk rock club - or whatever the music was at that time - would not have been on my agenda.
I've moved around so much my whole life, and I've gotten so used to being the Other in situations - the foreigner, the outsider. The first time I've ever felt like there was no separation between me and the other elements was in music.
When I signed that major-label contract when I was 20 years old. I did it because I wanted to play music for the rest of my life. That's every 20-year-old's dream - to do whatever the hell you want.