One writes music because winter is eternal and because, if one didn't, the wolves and blizzards will be at one's throat all the sooner.
I mean, the shoe - there is a music to it, there is attitude, there is sound, it's a movement. Clothes - it's a different story. There are a million things I'd rather do before designing clothes: directing, landscaping.
Certain kinds of speed, flow, intensity, density of attacks, density of interaction... Music that concentrates on those qualities is, I think, easier achieved by free improvisation between people sharing a common attitude, a common language.
I took a lot of long summer road trips with my dad, and the mix of music we listened to on the road skipped around from classical to Western to new age to hyper-cinematic.
I'm a pretty big dork. It's crazy. I'm one of those people who grew up with all kinds of musicals, but I was right at that age where 'Rent' was a big deal for me and for my friends.
Probably having fallen in love with music and movies at a young age and then first learning about writing by kind of following the path of writers like Dave Marsh and Lester Bangs and being a rock journalist.
No, but way before that, I've been doing little dances in movies for years. Yeah, that was an amazing chance. You know, at my age to be able to do a music dance video, very unusual.
From an early age, music was my only thing. You come from Detroit, you learn how to make the most of what you can do best.
When I was writing my autobiography, these songs came up from time to time which were important to me, and I realized that what they really represented was, they'd come from this age of shared music.
All my musical foundations go back to the age of 3. My family tell me that I used to listen to the old crystal set, then go to the piano and pick out the tune that I just heard.
Acting was truly all that I ever wanted to do. I've always acted in plays and sang and played music, and you get to a certain age and think there's nothing else that you'd rather do.
Anybody under the age of forty knows hip-hop, gospel and R&B pretty well, and it's all a part of what we consider to be 'black music.' There is a natural synergy between the three.
At the age of 16, something happened with my finger and the doctor told me, you never can be a organist or pianist, so think about what you do with music.
You're playing serious music, and you want to be taken seriously. When they get my age wrong on the program, I wish they'd make me older.
I grew up singing since the age of three. Vocally trained since the age of eight. Fascinated by Mary Poppins and all those musical movies and really knew that I wanted to be a performer.
I was curious and hungry at a young age, and jazz was such a mystery to me, an ocean where you can express yourself in the moment. It represented freedom, it represented wearing wings and going somewhere with music.
In my old age, my mind gets more open, and I listen to so many different types of music and I guess that all reflects in my work.
I told her it was a bigger than life musical, that all the actors were going to be about the same age, late twenties into thirties. It would be a style; a kind of surreal high school.
I'm still grappling with all the things most people resolve by the time they're 35. Maybe that's why I make music that is relevant to young people. I'm emotionally stuck at the age of 13.
If Beethoven had been killed in a plane crash at the age of 22, it would have changed the history of music and of aviation.
Glasgow's not a media center. When you're there, when you're hanging about, you feel quite detached from musical movements or fashions or anything like that. You do feel quite alone, in a good way.
