He's a world-famous name to people who care about his music, but there are many people who have never heard of George Gershwin and those numbers increase.
I have a desire that I want to make people feel happy through my music. I'm always trying to find optimistic ways to express myself.
When I do the music, I make the musicians listen to what's happening in the film. That way they treat the dialogue as if it was a singer.
I never feel that my music is sparse or minimalist; the way fat people never really think they're fat. I certainly don't consider myself minimalist at all.
It's so easy to put music out that it's difficult to sift through stuff that I don't like to find stuff I do like.
Music is timeless, so I want to give people shows they'll never forget so that I can do this forever.
I'm the biggest music lover in the world. I mean, I have seen everybody. I went on tour with Michael Jackson and the Jacksons four or five times.
Music just makes sense to me. I don't ever worry when I'm singing. It's the safest place. I am a bit of worrier.
Adam does most of the work when it comes to videos and he basically does the same as I do with the lyrics. The videos are his visual interpretations of our music.
I'm addicted to something at all times. Like, it's always music, but maybe sometimes it's a pair of pants or something else. That's just how my personality works.
When people come up to me and say, 'You made it,' I think, 'But I'm not done yet. Not everyone's heard my music.' I want to be a household name.
Videos have to go hand in hand with your music, so that's why, ultimately, they should be created by the artist. And if they're not, it doesn't really add up to me.
I teach class. I study music. I rehearse. I coach people. That's it. I'm doing exactly what I want.
I do not sing nor play, but I adore music, particularly Chopin. I like him because I cannot understand him.
A montage is incredibly challenging. When I can, I'd like to know what the music is going to be ahead of time because that will affect the beat, the pace of the montage.
Jazz really does try to include everything. It's always been popular music. But the wonderful thing about jazz is its willingness to take chances.
I don't have a very 'masculine' taste in music. I get a lot of heat from my friends about that.
More labels should be like that. Instead of putting these records out myself, I should have just signed with them, but they probably don't like my music (laughs).
With music, you're working with a producer, and you walk out of the studio six hours later with a track that's almost completely finished. There's an almost immediate payoff.
Some artists are bound to an image: Bob Marley has dreadlocks, Matisyahu has a beard. But that's a reminder that the whole thing is not about style. It's about music.
I think my music has always been a mixture, depending on whom I'm working with - what band, what musicians, what producer.
