Writing screenplays makes me a better musician because it clears my head. After writing a movie, I go running back to music as fast as I can.
I think it has been a weird mistake to have people with their own music careers going on and judging people because when they're too critical, it affects them. They don't want to be that honest, because they need to keep their appearance up.
Nobody was listening when I learned how to play music. But there's something about being on stage, talking to the audience, looking at them and smiling, that's always been difficult for me. I'm a lot more comfortable now, but there are still moments ...
It's true, there's a lot of melancholy in my music. I don't know why, I'm not a melancholy person. I've always been drawn to it. Ever since I was a kid, if I had an album I would play the ballads on repeat.
I have been playing acoustic music for a very long time, and it's something that I am very comfortable doing, so if I made a record, it would probably be a mixture of that and some other things that I'm interested in.
I'm a provincial. I live very much like a hermit: reading, listening to music, working in the cutting room, writing, commercial work - which doesn't take up that much time.
I first came to Russia because of the culture, literature and music... and my interest in the 19th-century revolutionary spirit of Herzen, Bakunin and Kropotkin. Russia is a wonderful place to bring new clowns because Russians give back a wonderful r...
I have created hours upon hours of different music over the years that the general public has never heard. Maybe one day I'll release them all in one big package, but we'll see.
When you first hear Mozart's music, your first impression is that it's very alive, but if you peel away the layers, you can hear sorrow and sadness behind it, and that's what I try to be: multi-layered.
If you're writing a piece for the Boston Pops, the balance is towards one end. If you're writing a piece for a chamber music society, then it's towards another point. I won't make a final answer on that. I think it changes with every piece.
I use the NordicTrack every other day for 20 minutes. I don't listen to music or watch TV while I do it. I count to myself. I count to 25; I count to 25 backwards, that sort of thing.
The '60s weren't my cup of tea. I never bought that philosophy that, you know, we're all brothers and that'll solve everything. And I never believed that music dictated the times. I always thought it reflected them.
I mean, my music career and my acting career - if I want to do them to the extent that I eventually do want to get to, it's going to be a bit of a balancing act. But I'm hoping they'll just go hand in hand.
If I had grown up in any place but New Orleans, I don't think my career would have taken off. I wouldn't have heard the music that was around this town. There was so much going on when I was a kid.
I come from an art-school background, and I still feel that in my music, it's about exploration and challenging myself, about putting myself in a place that's frightening because I haven't been there before.
I don't know if I would qualify as mainstream. I think I have managed to function pretty successfully on the fringes of the music world and have been able to play exactly what I have wanted the way I have wanted.
I don't need a holiday or a feast to feel grateful for my children, the sun, the moon, the roof over my head, music, and laughter, but I like to take this time to take the path of thanks less traveled.
Elvis deserves a lot of credit for bringing the blues to middle America, not the Vegas stuff. The early stuff, The Sun records, and the first few RCA records. He was wonderful, he had the power, the drive, and he was so dedicated to his music.
I felt that the elegance of pop music was that it was reflective: we were holding up a mirror to our audience and reflecting them philosophically and spiritually, rather than just reflecting society or something called 'rock and roll.'
In terms of negotiating a career - I've always grown up being an insider and an outsider to different worlds, across different classes and cultures, so I have always naturally liked making films or music that puts things in unexpected places.
The music I make and the process of acting, for me, are both about trying to understand people and get inside what makes us tick. That's the main thing that excites me. Our sense of who we really are and what drives us.
