So vast is the shadow cast by the MGM production of 'The Wizard of Oz,' so indelible are its characterizations, so perfect its music, and so assured is its cinematic immortality, that most people think of it as 'The Original.' In fact, it isn't.
My brother is the lifelong musician; he made the choice to do that when we were very, very young kids. I remember him playing in bands and listening to the music he was writing in the house - he's nine years older than me.
I try to spend a lot of time thinking of what it is I want to say, and how I want to say it. Mainly because I know what it's like as a fan to hear music that is just exactly what I needed.
Composers most identified with the chamber music form are Corelli, Vivaldi, Haydn, Mozart, Beethoven, Schubert and, of course, Bach. Of course, Bach. If there is any one composer who gives us reason and emotion, it is Bach.
But a lot of the old fans are listening to a lot of the younger music. So I gotta keep moving forward, and they'll move forward too.
I was really amazed when I started hearing 'Songbird' on the radio. I couldn't believe that the record company promotion department had actually convinced radio music directors to play it -because there wasn't anything like it on the radio at the tim...
When you work you are a flute through whose heart the whispering of the hours turns to music. Which of you would be a reed, dumb and silent, when all else sings together in unison?
When we were making vinyl records we had a lot of time limitations for each record so songs were left off for a number of reasons. Now, with CDs, much more music can be included.
Nirvana was pop. You can have distorted guitars and people say it's alternative, but you can't break out of pop music's constructs and still get extensive radio play and media coverage.
When I was younger, I didn't read that much. I was more interested in film and music. Now I'm curious. I want to know what it's all about.
For me the ideal date would be to drink wine in the backyard under the stars, listen to music and just talk. Then we'd eat steak and, later, dessert. If all went as planned, we'd save some of the dessert and play with it while making out.
I started playing guitar, like, when I was 17 or so, but where I'm from, you just don't hear about people moving to Nashville and making it. It was such a foreign thing to me. I never knew music was an option for me.
And to understand this, I think this is a most important point where I would like always to be understood what we do with the New York Philharmonic. That the meaning of the music is number one.
I don't feel a real need to specify the meaning of something. When I was little and I was introduced to Led Zeppelin, I didn't know what a zeppelin was or who Zeppelin was or what the machine was. The real meaning is whatever feelings and memories yo...
I wasn't making music consciously when I was younger. I was a musician, but that has its own stigmas. Anywhere on the planet, it's one of the more undervalued positions.
Since I started composing I have always worked with series of tempos, even superimposed the music of different groups of musicians, of singers, instrumentalists who play and sing in different tempos simultaneously and then meet every now and then in ...
I've always been a big advocate of making shows affordable because a lot of these bottle-service clubs and events are geared toward really expensive experiences. Club music is for everyone, and it drives me crazy that people are getting priced out.
The problem was the journalists who also did not understand much of my music, but they wrote about it. I think you fell into the usual trap laid out by parts of the press and other writers: that the poor musician has always to fight the evil companie...
When I started writing music on the guitar, it started off very folky because of my limited ability to play. It was slow, soft melodies. But then, as I got better on the guitar, I started exploring different sounds.
My cousin was Ron O'Neal, who was 'Superfly.' Films like 'Shaft' and 'Superfly' were the biggest things out there in the early '70s. It's hard to remember just how big they were - how much impact they had on the culture, the music, the fashions, the ...
As I sit down and start to work, I often panic. I stare at the empty piece of music paper. How can I say that my piece will be ready for performance next January when I do not have a recipe for making it happen?
