You ask for your audience's investment in your music; you're in a relationship with them. And their relationship with the E Street Band is separate from whatever else I might do. I like the idea of us being something that people rely on.
Solace is my favorite song. It was the last song we wrote for the record. It was right when we really started to mesh as far as music goes and we started really connecting with each other.
I wrote so much about fandom and participation for NPR that I eventually realized my most fertile way of participating in music is to actually play it, at least in a way that made the most sense to me.
The dance can reveal everything mysterious that is hidden in music, and it has the additional merit of being human and palpable. Dancing is poetry with arms and legs.
I do the same things I did when I was 12 years old: I ride bikes, I read books, I walk in the woods. And I listen to music.
For anyone who doesn't have that connection with Mozart, I urge those people to go and find some of his music, because it can quite genuinely make you just glad to be alive.
Ultimately, at the end of it, it's just trying to get into that space where you feel like you're hitting the right thing and you're making music. And it feels intuitive rather than being counterintuitive.
I studied music; I studied theater. I went to school for it, so I kind of treat it in that manner, that whether or not I can hang out, I've always been the one to go in my room and chill.
The type of band that I have now, the type of music that we're playing you either like it or you dislike it. If you dislike it, you probably don't know why. By the same token, you can't even really say why you like it.
The tough thing about radio is I've met a lot of people in it who like my music. But it's hard for them to figure out how to play what they like when there's somebody up above them yelling 'you have to play this.'
One of the album's songs features Mary J. Blige, but I don't want to talk too much about it yet. I think you will hear the music that's been playing in my head when it comes out.
For the first five years of music and first five years of acting, I don't remember it because I was running to where I was going. Finally I was like, 'Man, I missed everything.' So I just stopped, and I started looking around.
Breakfast is a peaceful moment for me, so I never have the radio on, no music, no noise around. The only noise that is permitted is people's voices. It's a way for me to wake up without too much of a high speed feeling.
I don't think music is my job - I don't think about it that way, because I don't really get paid. There's no paycheck at the end; it's more of a 'whatever is left over' kind of situation.
I'm going to keep on finding out the kind of man I am through my music. That's the one place I can be free. But the reason it's difficult is because I'm changing all the time.
I was Aladdin, and then I was Captain Von Trapp from 'Sound Of Music' when I was 7 or 8, and then King Arthur. I was always the lead. I've always enjoyed being onstage, acting obnoxious, being someone that wasn't me, hiding behind a character.
For me, the work begins with a rough cut of the film. I can't do much with the script. I've tried to write music to a script prior to seeing the film, but I've found it turns out to be a waste of time.
The first music I ever got into was the '80s alternative bands that my brother listened to, like The Cure and The Smiths and R.E.M. and Fugazi. I can remember specifically saying The Cure was my favorite band back in second grade.
Music never dies. Do we really need another Madonna tour? Does she have to compete with women performers 25 years her junior?
I don't really like meetings, I like recording and performing music. I need to set myself up for when the time does come that I need better distribution or just a bigger team behind me.
I didn't want to be told what to do. I don't want to water down my music to fit into their formats. I know what rock and roll is to me, but everything's turning into one big commercial.
