I was a musical theatre kid, which meant you could always find me singing or dancing in the halls with at least four other people.
I'm very driven, and I always have been. So I'd like to release a successful album, continue in musical theatre, and be more involved in business.
In the world of musical theatre, if everyone says it's a good idea, you wonder why nobody has done it before.
I've always played comedy. My background is musical comedy theatre, and that's really where my training is.
I like going to New York. I like the galleries and the theatre and the restaurants and bars and music. I think that city is more alive than Los Angeles.
Theatre is expensive to go to. I certainly felt when I was growing up that theatre wasn't for us. Theatre still has that stigma to it. A lot of people feel intimidated and underrepresented in theatre.
I grew up in a community of theatre, and I always loved musicals. From a young age, the first present I ever wanted was a video camera. For me it was a great outlet to be creative.
I went into musical theatre, which I'm not really cut out for - I'm not as skilled at it as other people.
I have ambitions to do a Broadway record one of these days and get in the studio with like, a real orchestra. I'm a big musical theatre geek.
'Go Back Home' encompasses not only actual geographic location but also, for me, back home in the worlds of music and theatre, and back home in terms of making albums again. There are lots of meanings to that.
There is an atmosphere about the picture theatre that speaks of entertainment and relaxation. The charming surroundings, good music, and the fact that each visitor is determined to enjoy a few hours of holiday all exert an influence on the mind.
I have mainly come from a theatre background, I did 'Oliver' here I played the Artful Dodger and I did 'The Sound of Music.'
The Theatre of the Absurd, in the sense that it is truly the contemporary theatre, facing as it does man's condition as it is, is the Realistic theatre of our time; and that the supposed Realistic theatre—the term used here to mean most of what is ...
I pretty much got into theatre to do community theatre and things, but then I went to Williamstown and found an agent. I then went to New York and did a lot of theatre there, so I started doing only theatre.
I trained in the theatre and I love the theatre. I get such a thrill seeing anything in the theatre.
As I had collaborated with visual artists before whether on installations, on performance pieces, in the context of theatre works and as I had taught for a time in art colleges the idea of writing music in response to painting was not alien.
Q: Best part about being a musical theatre book writer? A: Explaining what that is.
I'm grateful to be working. The most exciting thing for me is that I never get bored - I've done comedy, drama, musical theatre and now Shakespeare.
I'm trained in musical theatre and 'Pitch Perfect' is the first movie where I get to really belt out. I beat Adele for that role.
When I used to do musical theatre, my dad refused to come backstage. He never wanted to see the props up close or the sets up close. He didn't want to see the magic.
I love all the arts - so museums, theatre, music, walks near trees or by the ocean, time with people, psychological readings.
