I believe that no matter what you do in life, if you learn the basics through theater, it will help you in everything else - problem solving, communication, discipline, all of that stuff.
I had done theater during high school and college, but with my life and everything I had going on, I decided to go for the health field, where there were stable jobs.
I love getting back to Wivenhoe. I get out of my wig, bustle and costume in three minutes flat at the end of the play before jumping into a taxi outside the theater and catching the train home.
I think every theater in America wants a younger audience... and you can't just hope to have a younger audience, you have to program things that audience is going to connect with.
I happened to happened to land in a time, in the middle '60s, that without knowing it, and without being told by the history of theater - which we now see from a historical point of view was an explosive time.
When I was living on the street I would be standing out in front of Grauman's Chinese Theater, leaning against my car and signing autographs and nobody had any idea that I was living in it.
My dad was a theater actor, so I would follow him backstage. And my mom was a casting director. The moment I heard the applause and realized it would get me out of school, I was hooked.
You know, my dad was a lieutenant colonel at Ft. Lewis on the 3rd of March, 1941. Fifteen months later, he was commanding a theater of war.
Going to the theater is such a joyous experience. My dad would take my sister and me to plays when we were very young, like six or seven years old.
I watch a lot of movies. I've watched movies since I was a kid. My dad brought me to the theater once a week. Always - it was a must. So I think that influenced me a lot to be an actor.
I really loved to sing all the time, and I was constantly entertaining. Finally, my dad saw an article in the local newspaper in Phoenix, and it was for a children's theater, an audition for 'Snow White and the Seven Dwarves.'
My dad was a theater actor, so he had an agent, and he brought me into his agency when I was maybe four years old. That was how I started. I started modeling, and it progressed from there.
NC-17 means that you get it in like 3 theaters. They won't run the spots on MTV, won't run the advertising. It's the kiss of death so there was really no other choice.
Well, I design costumes because I started with the theater in Chicago, but somehow a few lines just sort of fell to me to do it. And I studied it in school and I always liked it.
Look, it's a mainstream animated movie, and how often are those considered thought provoking? It's meant to be a great time at the theater, but it's also designed to work on more than one level.
A lot of actors say that theater's the thing for them. And that's great, and I'm not one to speak with any authority about it because of not having done it properly. For me, movies are what I love.
The great thing about theater is that you have so much time to prepare, and to fail, before presenting it to the public. In film, the high-wire act seems to be that much farther up, and the net seems to be less there.
What's great in theater is that you can sustain the arc of a character for a full three hours, whereas in film or TV, you have to create that arc in little pieces, and usually out of sequence.
I did great things in the theater. I did some nice roles, 'The Diving Bell and the Butterfly' or 'La Vie en Rose.' And I love my role in 'Frantic.'
That's one of the great things about DVD: In addition to reaching people who didn't catch the movie in theaters, you get to have this interaction of sorts.
Macbeth is a very popular play with audiences. If you want to sell out a theater, just mount a production of Macbeth. It's a short play, it's an exciting play, it's easy to understand, and it attracts great acting.
