I had been on this improv team at this really great improv theater. It's called iO now. It used to be called Improv Olympic. They have showcases for Lorne Michaels and other writers and people who work at 'SNL' usually about once a year, although I d...
I actually run a non-profit where one of the main objectives is to branch out and get a new audience for the theater. Just because the writing is so good and nothing is more effective than seeing something live and happening right in front of your fa...
I think I'm kind of attracted to the material more than the medium. I'm not opposed to doing a television show, though. I actually think there are a couple of good ones. And there is some terrible theater. Film is a very different kind of acting.
I was as happy doing theater in New York for little or no money as I am now doing television for more money. The happiness, I guess, comes out of it being a good job. The success has to do with the fact that it's a good job that will continue.
And it was out in the theaters in two weeks. This is not, 'We're going to develop twenty-five and maybe one's going to get made,' so the first three things I wrote got up on the screen and, good, bad or indifferent, I got to see them on their feet.
We knew all along we were making a good show, so its success was not a surprise to me. What has surprised me is the magnitude of this show's success. More people see me now in one episode than saw me in 20 years of movies and theater!
You really, really, really have to love what you are going to do in theater because it is an unmerciful life. It's six days a week. It's eight performances a week. And that's doing the exact same thing over and over and over again.
If I was discovered by anyone, it would be Stephen O'Neil, who saw me in a play at Williamstown and introduced me to my team who I'm still with today. He was the first person to introduce me to the film and TV world. Other than that, I just assumed I...
I graduated from a place called Whitworth College in Spokane with a theater degree, then in 1993 I moved to L.A. and auditioned and did very well there. My first gig was playing a skinhead in John Singleton's 'Higher Learning', and I played Glenn Clo...
When I started thinking seriously about learning the rules of narrative, I thought, 'You've learned the rules of dancing from the ballet; what's the matter with learning the laws of theater from the people who know how to do it?'
You always hear actors say, 'Theater is my first love,' and it is. It's a time when you really get to do what you do, and there's not a lot of waiting around and interruption and not a lot of money involved - sometimes money really clouds the waters ...
More than anything, people want the reality of the discussion at hand. If what is going on in that building is the real thing, if the transforming love and power of Jesus Christ is being experienced, you can sit on a metal folding chair or in a plush...
If you really love films, and you really want to get the full impact, there's a huge difference between watching something on a small screen with a mediocre sound system and watching it on a giant screen in a giant theater with a huge beautiful sound...
Making a film or doing a play are completely different experiences and entirely fulfilling, but completely unique. I also think one complements the other. People often say that theater is about flexing your muscles, and is actually real acting, where...
I'm always struck by the kids who turn up in New York and LA, and places in between. Chicago. Wanting to do theater, wanting to do independent film. Wanting to break into television or radio.
So many actors started on soap operas. So yeah, I'd graduated Julliard and done some theater. I've done a few guest spots on TV but nothing that long-term. I did a little 'E.R.' back when it was on, and a pilot for 'Cold Case.'
There was no way to lock down, or tighten up, or Fail-Safe into Security Theater a race that covers 26.2 miles, a race that travels from town to town, a race that travels past people's houses. There was no way to garrison the Boston Marathon. Now the...
It never occurred to me that I was a leading man until I was 19 years old. I had been acting since I was 10, so that's nine years and 30 or 40 plays, in school and summer stock, professional theater, too.
As good surgical doctor works on a patient in the theater with varied kinds of surgical instruments, so a true leader also needs a clean bag of leadership characters that vary from task to task. One-way leaders are obvious failures!
I came rather late to film. I've done an awful lot of theater before - before I discovered the camera, you know, seeing everything, requiring much less acting and - and much less presentation, much less projecting, more just being.
There are so many people that say they are actors and they don't spend for 5 minutes a day working on their craft. You need to train and need to take classes to keep your tools sharp. I'm always in class, whether it's theater or drama workshops.
