I sure do love theater. I mean, that's where I started. I am actually sort of shy, but something happens when the audience comes in. It's something nice for me. It terrifies me, but I'm able to do it.
Secretly, I'm in awe of Broadway performers. I would love to perform at that level. I love the exchange with the audience. I love being able to sing and dance to express your emotions and the community and friendships that are formed when working on ...
I started out a die-hard New Yorker but really grew to love working in Los Angeles. Even though I originally wanted to do theater, TV presented more opportunities for me, which led me out west.
I love multi-cam. I grew up in a border town in South Texas right next to Mexico, a million miles away from this world... and to me, multi-cams are just like theater.
I love going to horror movies - especially when they are fun. I think that they get you in touch with sort of these primal instincts that we all have in the relative safety of the theater.
Football games are on TV, and it doesn't affect stadium attendance at all. It's the same with movies. People who really love movies and like to go out on a Saturday night will go to the movie theater.
I do it because I love acting, I love working, and whether it's radio, television, films, theater, I don't care as long as I can get out there and do it.
My parents were involved in community theater in New Jersey. Instead of hiring a baby sitter, they would take me with them. So my love of acting seeped in from watching my parents and seeing them having fun.
And at NYU, I went to the Atlantic Theater Company, and they have two main points. One of them is to always be active in something instead of just feeling it. And the other is figuring out your character.
I was real into theater, and then I tried soccer, acting and ballet. Both my parents didn't want a child-star model, so I didn't get into modeling until I was 14.
After years in white theaters I dreaded working in colored houses. The noise, the stomping, whistling, and cheering that hadn't annoyed me when I was young was now something I dreaded.
I had been a kid that moved so much, I didn't have a lot of friends. Theater really represented camaraderie.
Being a former theater student, of course, there is a part of me that is fascinated with stage crafts and what you can do with illusions and working within the confines of the studio.
Basically, my socialization as a child didn't come from any schooling; it came from being in theater and meeting people online.
You cannot be buried in obscurity: you are exposed upon a grand theater to the view of the world. If your actions are upright and benevolent, be assured they will augment your power and happiness.
I studied acting at Boston University. I was in the theater department there. Somewhere in there I decided that wasn't what I was going to do and I went to the B.F.A. film program at N.Y.U.
I'm sort of one of those weird actors who whenever I do a play, I think, 'Oh, we should film this,' as opposed to have to belt it out of ourselves in a theater auditorium.
We went to a very small high school. It was, like, in a wooded house; it was a weird school. I hung out with a lot of guys in high school, and I did theater with a few of my close girlfriends.
Politics is theater. It doesn't matter if you win. You make a statement. You say, "I'm here, pay attention to me
I don't look back. I look forward and plan new shows. That's really feeding the most important part of working in the theater.
We were tremendously encouraged by the testing of Analyze That. Audiences loved it. They were telling us that they liked it as much as the original. We recorded the laughs in the theater.
