In a sense, the music business and I haven't always been the best of bedfellows. Artists often have to fight their corner. Your music goes through these filters of record labels and media, and you're hoping you'll find someone who'll help you get you...
I was trying to uphold what I thought feminism was as best I could by supporting women, by trying to create an opportunity to get women to get together, play music together and celebrate the fact that we are having great success making music on our o...
Music carries the weight of being human, takes it away so you don't have to think at all, you just have to listen. Music tells every story there is.
We take gingko to sharpen our memories. We could be memorizing song lyrics instead.
I’m a man of music as much as I am a man of words and prose. One could even possibly say that they, music and prose, are connected to a lengthy and mutually beneficial extent and that they have been of centuries or millenniums.
I think musical theater fans - obsessive fans - are very much like Comic Con fans in our personalities. We're very possessive, and we're very obsessive, and we're very critical. So don't screw with our stuff.
People used to recordings believed every piece of music had a definitive sound, its emotional context trapped in amber, a butterfly pinned to a board; beautiful, but dead. Live music was just that. Alive.
For me, I can only do that from my own experience with people I've known and things that I've lived and experienced. That's what good pop music is all about, pop music that does reach out to people. It's very personalized and very real, honest and si...
There's a point where you think, 'What else will I do if I don't do music?' It becomes your identity when it never should have been. But food ignited a fire in me, and I came right back to music because it no longer felt like a job. It was a really p...
I have been involved in music since 1972 when I started managing two artists from The Jimi Hendrix Band. My family has been involved in music for years, so it's kind of in my blood. I just wish I could sing!
I was fortunate enough to hook up with Quincy Jones and had a lot of success. But the music of the '80s really changed when the '90s hit. For me to chase that dream or career of music, I started a family, started on 'Melrose Place,' so it was somethi...
Mentorship is really important. I really like to talk to people who have been in the music industry much longer than me about artists' block, things I'm struggling with, or the music business. It's really important for artists to have a community. So...
My real name is Chord Overstreet. I actually got my name because my dad is in the music business as a songwriter. I was the third one in my family born, and there are three notes in a chord, so that's how they came up with my name.
I think in certain areas the demand is greater than it has ever been, and my business is better than it's been in 30 years. The music business is so precarious, as you know-you've got to make it while you can make it, and that's exactly what we're do...
I'm glad about what's happening to the music business. This last crop of people we had in the 90s, who are going away now, they didn't like music. They didn't trust musicians. They wanted something else from it.
Stand-up is my heart and now I get a chance to do that and the music altogether. That's going to be great. I'm trying to be the Sammy Davis Jr. of 2005. I'm planning on going out with Cedric the Entertainer because he's got that musical bone, too.
I think maybe chance works better in a situation like music because music exists over a period of time, and you don't maintain constantly the you can't refer back from one area to another area.
I have a day job Monday to Friday. I work at a record label in Brooklyn called Ba Da Bing. It's a great indie label and I listen to music all day. I meet people online and find out about the cool new music blogs.
What I try to get beyond is playing music at people and, instead, to play music with people because audience members are constantly part of the experience. What they say in their body language, what they say in their eyes, what they sing with me... i...
They gave me four weeks, and I asked if the first week could be just music with the two main conductors. So, the conductors came over to my home, and we worked in the music room, and I learned my two little songs.
I hope America sees I am a goofy guy andI'm kind a crazy, I hope they see that I am a musician aswell, that I have music all around my body - I'm just exfoliating music, and I just hope America sees that.
