Angus: Official sources word today sad to announce this separation of Simon and Eleanor, after 17 hours of marriage. It is understood due to musical differences.
Liesl: How else are we supposed to get Father's attention? Brigitta: Yes. Maria: Well, we'll have to think about that one.
Marta: I'm Marta, and I'm going to be seven on Tuesday, and I'd like a pink parasol. Maria: Well, pink's my favorite color, too.
The Baroness: You're far away. Where are you? Captain von Trapp: In a world that's disappearing, I'm afraid.
Maria: There were times when we would look at each other - oh Mother, I could hardly breathe.
[Frederick, Inga and Igor find an abandoned violin] Dr. Frederick Frankenstein: Well this explains the music. Igor: It's still warm.
Igor: I heard the strangest music from the upstairs kitchen and I just... followed it down. Call it... a hunch. Ba-dum chi.
Dance music doesn't care where you live. It doesn't care who your friends are. It doesn't care how much money you make. It doesn't care if you're 74 or if you are 24 because... 74 is the new 24!
The music rights at the time cost me $12,000 in 1964 money, which is about double now or whatever. But I cleared everything. I had a lawyer in New York. And it was cleared for use in a short subject, not a feature.
Being my own boss and working inside an industry that's not really an industry, I need to keep busy and keep working. The only way to make money in music - unless you're managing someone - is to tour, and even that depends on where you are at.
I decided to pursue music, so I dropped out of school and I told my parents I didn't want any money from them. I got three jobs and I just hit the ground running.
No one starts playing my kind of music to make a fortune. But I do want to keep doing what I do and I do want to continue selling records. And I would, eventually, quite like some money.
I didn't plan on rock-n-roll. I wanted to learn jazz; I got to know some people doing rock-n-roll with jazz, and I thought I could make some money playing music.
I should write a musical. That is probably one of the final areas that I should pay attention to, because it does kind of involve everything. It's got theatre, it's got young, pretty people... And it's got money!
It seems like the record industry made so much crazy money in the 1960s that everyone wanted to get in on it. Now it's just become very corporate. So all of these people who despise music end up being in charge.
People have taken time out of their day and spent their money to come sit down at a concert. And it's jazz music-it's not easy for them to get to it. I don't want them ever to feel that I'm taking their presence lightly.
Some musical directors have more chutzpah. They pick up the phone and talk people into giving. I prefer to call and say 'thank you' after the money has been contributed.
There is nothing is more musical than a sunset. He who feels what he sees will find no more beautiful example of development in all that book which, alas, musicians read but too little - the book of Nature.
Organized religion and musicals present tenets to live by that don't entirely make sense but, on the whole, make people who believe them secure, thus giving an appearance of inclusiveness.
I have to have music playing constantly. It creates the tone and mood for anything you are doing. I specifically love rock, and Jimi Hendrix is one of my favorite artists. My favorite song is 'Red House,' because it's heavy on the blues.
If you don't have any ties to the music industry, you just love 'American Idol,' you can sit there and do exactly what you do in your living room, which is stare at them and judge them.
