Because it's dance music, you can't really have a lot of changing in there. It's really not for me because there's too much repetition. I like more diversity.
Film music should have the same relationship to the film drama that somebody's piano playing in my living room has on the book I am reading.
There are certain things in which mediocrity is not to be endured, such as poetry, music, painting, public speaking.
If you really believe music is dangerous, you should let it go in one ear and out the other.
When I lived in the U.K., I recorded a lot of ska and rock-steady styles of Jamaican music. But people there weren't accepting it. So I began using a faster reggae beat.
When I listen back to my music and everyone else that's out there, I'm aware that there's something I can do that the next guy doesn't do.
I didn't get into music to become a blues musician, or a country musician. I'm a singer-songwriter. In my book that means I get to do whatever I want.
I had a big background in listening to classical music and I started trying to compose, like I was playing the guitar but I heard an orchestra in my head.
There's the soundtrack to The French Connection II'I think It's my favorite soundtrack. It hasn't been released. I actually had to go and get the film and just make a recording of it to get the music.
It's what the Pixies always said about music - they were writing songs and just trying not to be boring. That was their main motivation and it worked for them. I remember reading that and thinking that was the way to do it.
It's no longer unusual for real avant-garde composers to have been in a band, and for bands to be interested in a wide range of music. Look at how artists like Aphex Twin are influenced by Nancarrow and Stockhausen.
One reason to write a poem is to flush from the deep thickets of the self some thought, feeling, comprehension, question, music, you didn't know was in you, or in the world.
I progressed through so many different styles of music through my teen years, both as a player and a vocalist, particularly the jazz and pop of the early 20th Century.
I've always heard music in my head since I was a little kid, so I've always played towards that. If I felt bad, that's what I did.
I can't believe I got a major-label record deal. My music was quirky, and my voice was so odd and high and girlish, it was like a weird novelty act.
The music of language became extremely important to me, and obvious to me. By the time I was seven I was writing myself. I was a poet.
When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that's plagiarism, that's taking other people's music.
I always like to say that the music I'd like to make is somewhere between Pan Sonic and Scott Walker. But I don't sing anything like Scott Walker.
There never seems to be enough hours in the day. At the moment I have no time to make new music because I've been doing so much promotion for this new single.
I know that there are a lot of sort of silly things that one thinks as a music listener about bands. I am a fan of many bands.
I meet people every single day who have heard the music and incorporated it into their lives. I feel like I have a tribe all around the world.
