I just don't want to live in the past. I'm really disappointed by so many people of my generation who - in order to promote their new work, they have to constantly lean on their past. I don't want to be that type of artist... I see a lot of people ou...
It's really hard for me to sometimes put myself out there, like 'Hey, how do you feel about making music together?' because maybe I'm afraid of rejection or I don't want to put anybody out. It's the Southerner in me, like, 'I don't mean to bother you...
I wouldn't call myself a synaesthete in the sense that Nabokov was. But I'll talk about a sound as being cold blue or dark brown. For descriptive purposes, yes, I often see colors when I'm listening to music and think, 'Oh, there's not enough sort of...
Classical - perhaps I should say 'orchestral' - music is so digital, so cut up, rhythmically, pitchwise and in terms of the roles of the musicians. It's all in little boxes. The reason you get child prodigies in chess, arithmetic, and classical compo...
I'm not turning my back on music anytime soon, but it's just a blessing to have options open. A lot of artists just have rap, and that's it. But once rap stops, it's hard to get into that Hollywood circle; it really is. It's a whole 'nother beast tha...
We saw a need to develop a community for artists to get their music out to the masses. With MySpace, when they went out on tour, they could actually tour nationally. The band might have 20,000 friends on their list and send out a bulletin saying, 'I'...
I feel that contemporary music, with very few exceptions, is missing the voice. You see an award show, you see a hundred extras on set dancing and special effects, and you don't see that solo voice that was the trademark of Adele. It's no accident th...
People like Aphex Twin, Jason Pierce, Jarvis Cocker and William Orbit are actively showing their interest in a wider field of music. Jarvis and I met on a benefit for an extraordinary man called LaMonte Young, the father of minimalism, who worked wit...
I wasn't a ballet baby. My first dance class was in an outdoor pavilion when I was three. It was called 'creative movement.' The teacher gave us chiffon scarves in beautiful colors. She turned on some music and said, 'Now go dance.' So for me, dance ...
I was listening to a lot of hip hop, music like Public Enemy that was about raising consciousness, and I realised I could feed that directly into my work, using images in a way that was a bit like sampling - taking images from diverse places, explori...
I don't know where people think I'm from, but I'm from Chicago. It's really just that. People wanna romanticize it and say, 'There's two sides to it, and it's a beautiful love/hate story of violence and music.' But it's really just a very scummy plac...
I've done a lot of performance practice, Baroque playing, and some of the joy and the challenge of it is figuring out what the composer intended... You have music of the 17th century - it's all whole notes and half notes. But inside of that, there ar...
The Chili Peppers do a lot of improvising, but it's within the framework of song structures. The Meatbats is from a purely instrumental standpoint. But when you hear the term 'instrumental music' you think it's real serious stuff and everybody's play...
When I write a book... it's the same essential approach to music as with books. It has to be something I want to hear or read. Hopefully the audience comes along, since that's the only way you can write righteously. I have to ask, 'What do I want to ...
I respect country music because I feel like it's more about the talent and the songwriting and I put on a big show and we have a lot of stuff, but I feel confident in myself enough as an artist and a singer that I can have all of those fun toys and k...
I spent two years figuring out how I could turn it into something that would satisfy me as a musician but also make some kind of cross-cultural link. I feel that I kind of at least touched on the possibilities of cross-cultural music, but it is a lif...
Well, I didn't really grow up playing or listening to metal, like many of the kids I went to school with. I only got into it in my late teens, so when Marilyn Manson formed, it was at a time when I was still excited about approaching music from that ...
I had two passions growing up - one was music, one was technology. I tried to play in a band for a while, but I was never talented enough to make it. And I started companies. One day came along and I decided to combine the two - and there was Spotify...
When Phil and I started out, everyone hated rock n' roll. The record companies didn't like it at all - felt it was an unnecessary evil. And the press: interviewers were always older than us, and they let you know they didn't like your music, they wer...
I get mad. I get sad. I have all those emotions. But I just like to keep them to myself. I don't think my fans need to be bothered with if I'm mad or sad about something. I should just be concerned that they are keeping up with my music or I'm making...
Well, I think it's kind of interesting how the Osmond name has been really seen on both sides of the pendulum. There's obviously the bubblegum side, but for people who really know about music, it's clear on the other side. As a matter of fact, I find...
