And to understand this, I think this is a most important point where I would like always to be understood what we do with the New York Philharmonic. That the meaning of the music is number one.
I don't feel a real need to specify the meaning of something. When I was little and I was introduced to Led Zeppelin, I didn't know what a zeppelin was or who Zeppelin was or what the machine was. The real meaning is whatever feelings and memories yo...
I wasn't making music consciously when I was younger. I was a musician, but that has its own stigmas. Anywhere on the planet, it's one of the more undervalued positions.
Since I started composing I have always worked with series of tempos, even superimposed the music of different groups of musicians, of singers, instrumentalists who play and sing in different tempos simultaneously and then meet every now and then in ...
I've always been a big advocate of making shows affordable because a lot of these bottle-service clubs and events are geared toward really expensive experiences. Club music is for everyone, and it drives me crazy that people are getting priced out.
The problem was the journalists who also did not understand much of my music, but they wrote about it. I think you fell into the usual trap laid out by parts of the press and other writers: that the poor musician has always to fight the evil companie...
When I started writing music on the guitar, it started off very folky because of my limited ability to play. It was slow, soft melodies. But then, as I got better on the guitar, I started exploring different sounds.
My cousin was Ron O'Neal, who was 'Superfly.' Films like 'Shaft' and 'Superfly' were the biggest things out there in the early '70s. It's hard to remember just how big they were - how much impact they had on the culture, the music, the fashions, the ...
As I sit down and start to work, I often panic. I stare at the empty piece of music paper. How can I say that my piece will be ready for performance next January when I do not have a recipe for making it happen?
I'm one of the guys who wants to watch the film completely done, with special effects, sound and music, because I tend to get disappointed if I watch it not fully done.
Unless I am both capable of and willing to reopen the wound every time I write a song, if I choose to not look inside myself to write music, I'm really not worth being called an artist at all.
I'm not a supermodel. That's not what I do. What I do is music. I want my fans to feel the way I do, to know what they have to offer is just as important, more important, than what's happening on the outside.
I grew up seeing my parents perform and sing, and I just always wanted to be singing, too. Music has always been my deepest passion and what I felt most connected to.
I'm making a record that's half stripped down acoustic which is the way I perform a lot and half of it is very produced. It's really hard to keep music simple but I was trying to keep it simple and focus on one or two instruments and vocals.
When I was very little, I was into Michael Jackson. At six or seven, it was Madonna, but she's not what she used to be. I've been into everything from Edith Piaf to Joe Strummer to the Velvet Underground to Suicide to A Tribe Called Quest to African ...
My first performance was in second grade with my friend Rodney Fisher, and we worked up versions of 'Long Tall Texan' and 'I Want to Hold Your Hand.' It gave me a little early confidence that I could actually do this music thing.
Corinne Bailey Rae I listen to a lot, and I'll hear Desert Island Discs and quickly write down the name of a song, and it will open up a new area of music for me. I discovered an Argentinian guitarist, Jose Luis Bieito, on Classic FM.
I have to say that getting to tackle Maria in 'The Sound of Music' at Carnegie Hall was surreal. When I heard my voice, it was all I could do to keep myself from doing a British accent and sound like Julie Andrews!
Because essentially Schoenberg was an extremely gifted man. And in spite of many of his theories and so on, when he really began to write music, he still was guided very much by his internal hearing, by what we call your internal ear.
I think recordings have been a terrific advance because now, when you have a piece of music, particularly something that appears to the listener very complicated, there's really a push to the world to try to figure out what it was that he was hearing...
Everything that people lob at you who don't know you, it all hurts. When you're doing something as simple as making music, which really, theoretically, shouldn't hurt anyone - I mean, it's a song! Step back for five seconds and laugh.
