I get interested in the various ways that music is being done in the culture, and some of it I like thoroughly enough to want to learn about it. The way I have been successful at doing that is to become part of it.
'The Beatles' did whatever they wanted. They were a collection of influences adapted to songs they wanted to write. George Harrison was instrumental in bringing in Indian music. Paul McCartney was a huge Little Richard fan. John Lennon was into minim...
I admire Tom Ades: he's a brilliant conductor, and he gets just the right hard, brilliant sound from the City of Birmingham Symphony Orchestra for Russian music.
I mean, in the course of an evening, people will take a solo here and there, but generally it's all about the rhythm of that music. Dealing with the rhythm with everything. That's essentially at least my concept of what that group is.
I never do anything to strictly satisfy a fickle, ever-changing commercial world. I do the music I like to play. It's the only way I feel comfortable existing in the industry.
A lot of musicians aren't proud; they'll do other work, just to be able to play music. I guess that's the way it's always going to be - musicians will have to suffer to a certain degree in order to obtain their outlet.
Some people think its just fun and games and others don't know how much I pushed to get here. They have to be in my shoes, but by listening to my music they can find out.
I've been able to find just as much interesting, exciting music through the Internet and iTunes... The personal interaction is not the same, and I'm not walking out of a store with a physical thing, so there's definitely an element that is lost, for ...
What music I listen to day to day changes very, very much. I can go from bluegrass to heavy metal, to blues, to classical and big band and then go to pop and rap.
When I'm actually creating music, I try not to listen to the hip-hop records that are going on, because I think, subconsciously, we steal from each other.
Basically, radio hasn't changed over the years. Despite all the technical improvements, it still boils down to a man or a woman and a microphone, playing music, sharing stories, talking about issues - communicating with an audience.
I've built a solid career there, but America's ten times the size. Now that we're onto the third record, I feel like the stars have aligned and American audiences are embracing my music even more.
I think it's important to really press on with the song writing and just go with it. There's no code, there's no craft... it's just let yourself shine through your music. If it's meant to be loved and heard, it'll happen.
I couldn't imagine a day without music. It relaxes and stimulates me in equal measure and I hate the sound of silence - the concept, I mean, not the track by Simon and Garfunkel.
It wasn't until my last year of college, 1976, that I decided well, maybe he's right. Delbert had been pushing me since high school to put 100% into my music.
It is surprising how many professional athletes, along with their families and friends, are gaga over movie and music stars, and the reverse is true with entertainers and sports stars.
There was always music playing in the house. I started singing at three, like my sisters did. When I was around four, we decided to put together a group and had so much fun with it.
Before our albums are released I feel like we still own it, that we have control over our music. But once it's out there in the world it's no longer ours.
I was never really a nerd. I'm not really into comic books or Dungeons and Dragons or any of that kind of stuff. I was in drama class, and I'm a big movie and music buff. And I'm into sports.
I tend to not want to put labels or categories on the music, only because people come with preconceived ideas about what they're going to hear, or won't come for this reason.
I prefer career artists that have spent time honing their craft, as opposed to, 'I won a karaoke contest on a reality show and now I have a record.' That's such a drag. The music that comes out of it is so poor.
