The script for 'Infamous' was so poised between tragedy and comedy. It's a dream part. One reads those scripts with a sense of melancholia. When you read a script that good... I remember thinking, 'Oh, this script is too good. They'll never give it t...
Comedy has to be done en clair. You can't blunt the edge of wit or the point of satire with obscurity. Try to imagine a famous witty saying that is not immediately clear.
Comedy was the key to everything. I grew up fast and controlled my future by bringing it on faster than it naturally unfolded. I cheated myself out of a childhood but then got a running headstart into adulthood that no one else could keep up with.
When someone can, on a worldwide level, make someone laugh, that's power. A lot my heroes - Eddie Murphy, Will Ferrell, the Wayans, Adam Sandler - they get it. And I've always felt that Andy Samberg is the future of comedy.
Anyone who thinks they can write the perfect comedy that everyone will love is a fool. I can only write what I think is funny and hope that there is a likeminded audience out there.
I'm doing a pilot for Comedy Central with the band Steel Panther. They're faux heavy metal. They started as kind of a tribute band out here, or a cover band, and they're funny guys, and they just sort of morphed into their own thing.
The American audience has really opened up to women being A.) funny and B.) kinda crude. 'Bridesmaids' is R-rated, and I think it was a major coup for women to have an R-rated comedy that did really well. Same as 'Bad Teacher.'
Just for fun, I'm really goofy and I would love to do some stupid comedy. I'm talking, like, crazy, out there, Will Ferrell type of thing. I love it; I think those movies are so funny.
If I am totally honest, I would have to say that 'Allo 'Allo!' was not my cup of tea, even though lots of people loved it. For that reason, I find comedy fascinating. There is a huge difference between what people find funny.
I'm not a fan of any genre but am a fan of movies that are intelligent and/or funny. That goes across all genres: a horror movie, a zombie movie, alien invaders, chick flick, or raunchy comedy. If it's well done, I'm a fan.
There are so many funny women in the world, and there has been for so many years, so I'll be happy when people can just move on from that, and things can just be 'comedies' and not 'female' or 'male,' and everyone gets an equal opportunity.
I've never directed before, so I need to make sure that people know that I can. The movie that I've written, 'The Sophisticates,' is a... small ensemble comedy and I hope it's charming and funny.
I think that sometimes, romantic comedies have to be really broad, and that the plot of people falling in and out of love or whatever is not enough. 'Enough Said' had that stuff, but I wanted it to be fun and funny while also grounded in reality.
It's funny, because I was trained as a dramatic actor at New York's Colonnades Theater Lab in the '70s, along with Jeff Goldblum, Danny DeVito and Rhea Perlman. People I worked with there saw a comedian in me. I'm still most at home in comedy.
A lot of comedies are based on the reaction shot. You have one person doing something stupid and one person is generally the straight man, and the laughs generally come on the reaction of the straight man to the funny thing the other person has done.
Latinos, Asians, African-Americans, women - we're all trying to find our place in this world of cinema and television and theater. And the great thing with comedy is that most of the time, you could be orange. It doesn't matter, as long you're funny.
I was greatly influenced by 'The Goons' and 'Monty Python' reconstituting what comedy was - it could come from a funny word, not just a set up and a pay-off. I liked the zaniness; they were satirical, slightly saucy and very literary in their referen...
As you know it is a comedy so everything is a little bit pushed. That's what's funny about this kind of movie is you can laugh about the absurdity, and the bad side of life.
The truth is, I've never thought of myself as the Michael Jordan of comedy. And that's a good thing. You know why? Because I'm not. Wasn't that Richard Pryor? Yes, it was. I know what I am: I'm funny!
You know, if I started worrying about what the critics think, I'd never make another comedy. You couldn't pick a less funny group than critics - you couldn't find a more bitter group of people!
All you have in comedy, in general, is just going with your instincts. You can only hope that other people think that what you think is funny is funny. I don't have an answer but I just try to plough straight ahead.
