Something about New York, man: You can do more comedy there probably than you can anywhere in the world. If you're interested in being funny, New York is the place to go.
TV is easier: it's all planned out for you, and the audience is there to see a show and they are all pumped up, but when you are in a comedy club, you have to be really funny to win them over. To me, that's more pure.
I mean, sometimes... a comedian becomes an actor, and they just don't deliver, because the bottom line of comedy is to be funny, and the bottom line of acting is to be truthful, and they get that mixed up sometimes, or don't even notice that that's t...
One of my favorite comedies is 'Groundhog Day' and 'Scrooged.' I love Bill Murray, and I think he's a great example of an actor who is funny.
I love sketch comedy. My real goal is to do something with Albert Brooks. That would be my fantasy. I stay up night and day thinking up stuff he might find funny.
I never analyze stuff with comedy because it's boring. It makes you stop being funny. Just be who you are and do what you do, and you're either funny or you're not.
You can't do every movie - although I do a lot of them - and the thing I'm longing to do is... it's not that I think I'm funny... but I long to do a situation comedy.
Shakespeare wrote great plays that we're still watching all these years later. Charlie Chaplin made great comedies and they are still as funny today as they ever were.
If you get a good comedy once a year, man, that's pretty good. I may be pickier than some, but still, there aren't that many movies that are really, truly, honestly that funny.
For years, it's driven me crazy that women don't have better roles, especially in comedies. I know so many funny women but I always felt... misogynist streak is too strong a term - but a dismissiveness.
It just so happens that people aren't doing comedy about abortion or cannibalism or waterboarding. And that to me doesn't necessarily mean that there aren't aspects of those subjects that are funny, it just means that people are too uptight.
If you are a great dramatic actor then you often don't know if people are enjoying your stuff at all because they are sitting there in silence. But with comedy it's a simple premise. If it's funny, people laugh. If it's not, they don't.
There is this idea in comedy that you don't want to look like you care about your appearance because that takes away from what's real, what's important. And the real stuff is what's funny.
I think when you do comedy, you play by a different set of rules. No one really wants you to be in that good shape. Being in good shape implies a level of vanity that isn't necessarily funny.
A lot of modern comedies are difficult to watch too, because they're so ironic and so detached and so quote-unquote clever. They kind of keep you at arm's length. They can be really funny, but they're not really nourishing.
Comedy needs to happen naturally and be in touch with the character. When you see that guy in your office that everybody laughs at, he doesn't think he's funny. He's just being him, and that's the joke.
I do like any kind of project that has both comedy and drama in it because in life you don't have one day where everything is funny then the next day everything is dramatic.
I have a rule - 'funny is funny!' When I write comedy, it's not my aim to upset people. I will be offensive, edgy and immature, but I will also be very intelligent and relevant. At my shows, there are no holy cows.
I find painting a much slower process than comedy, where you can go a mile a minute verbally and hope to God that some of the people out there understand you.
I don't think comedy is necessarily an attack. It's finding humour in life. I don't think if you're making a joke about something you're automatically demeaning it.
I just tried to create a life for myself that's full of fun and fantasy and things that equal laughter. My life's been cartoons and comedy and acting, and it's just been a fun life, man.
