Comedy isn't polite and it isn't correct and it isn't accurate, even. It's just a mess. So that's the way that I approach it.
The violence or the vaudeville style of comedy is a technique all by itself. You get up there, and you are a comedian, and you're doing one thing. That is, you're going to make the audience laugh.
'The Dice Man' is an anti-establishment cult novel, and you don't normally make studio films from such dark comedy material.
Old radio comedy makes me laugh, as well as 'I'm Sorry I Haven't a Clue' and comedians like Paul Merton.
With comedy, it's really hard to tell if something's working on the page - you really need the actors to bring it alive. The scariest part is if people will laugh or not.
I'm not saying writing comedy's brain surgery, but there is a certain pressure to it. It's the equivalent of doing homework that's going to end up on national television.
Comedy is created when someone is trying very earnestly to do what he feels is the right thing to do at that moment.
There's no reason to do 'ex and the City' if it's not going to be everything 'Sex and the City' is, which is vibrant emotions, comedy, drama... and also, style.
In comedy, you have to be unafraid to hang from the tree branch naked in the high wind and you have to be absolutely unafraid to look ridiculous and silly.
Comedy is obviously a matter of personal taste and the world always needs a clown and some people have no taste at all and any clown will do.
I'll always come back to comedy. Doing drama can feel satisfying, but day to day, it's just not as fun as laughing.
In the process of looking for comedy, you have to be deeply honest. And in doing that, you'll find out here's the other side. You'll be looking under the rock occasionally for the laughter.
I think most of my tastes were British, as far as comedy went, when I was growing up.
I like to play characters that get to do it all - to have a bit of comedy here and a bit of pathos here and a bit of suspense here, that's what's fun.
Whether it's corporate investigations or comedy, there are certain inherent truths to trying to get what you want while trying to be a decent person doing it.
There are some die-hard 'Chelsea Lately' fans, and that's where the majority of my fans come from. Chelsea is really helping make comedy audiences hipper and edgier.
As far as what makes a viral video, then it's gotta be something that you've either never seen before, a fresh piece of comedy, or something that relates to something topical.
I think the best comedic actors don't play it for comedy, they play it for reality. Then you find it funny because it's real. Playing the genre is the worst thing you can do - it's embarrassing.
I wanted to play a TV detective because it's a rite of passage; I wanted to experience every area of acting. I haven't done comedy or as much Shakespeare as I had intended.
Comedy has always been important in my family. If you got in a good joke at the dinner table, it meant more than almost anything else.
It's a pragmatist's business, comedy. Start off with good intentions and references to the Pompidou Centre and you end up with boiled sweets and a pantomime cow.
