I tried singing. I tried playing a musical instrument. I really wanted to be a musician, but I never could quite pull that off. I liked entertaining, but I was always drawn to some kind of technical work - some kind of honest labor.
I actually don't see that strong of a connection between my background as a rock 'n roller and my early films. In a way I think your musical identity in film work is determined by the jobs that come your way.
My favorite thing to hear from people is, 'I left the theater and couldn't stop thinking about it.' You want your work to have an impact after they leave the theater. It's the equivalent of leaving a musical humming a show tune.
There's something about uninterrupted singing that just doesn't work for me, because at some point, I need my characters to talk. Without meaning to offend anyone, a musical like 'Les Miserables' would be the last thing I'd ever be interested in.
So many of the sounds that contemporary composers were trying to create were to be found in the traditional musics of the world. That was encouraging but also little daunting to think that you had to work so hard to be new and yet it was old.
I am under no illusion that I will ever be the greatest opera composer in the world, with Wagner and Verdi and Strauss before me. I think my work could fit very nicely into musicals, though.
I was creator and executive producer of 'The Brady Bunch' on TV. The stage version was done by others, but it was a repeat of the old scripts. The 'Gilligan' musical is a completely original work with all seven characters and 18 original songs.
I wanted something that had the feel of a complete band and a variety of instrument. Apart from doing the album for musical satisfaction, I felt it was an important statement for other women - showing you don't have to rely on other people to do thin...
When I was at Stratford, the very first thing that I was commissioned to work on was trying to make a musical out of the documentary material about the General Strike, which was the next big historical event in England, after the First World War.
I feel like I've matured more musically than I have personally. But I totally embrace what becoming older has to offer. I find the wisdom that comes with each passing year is a trip.
I am a confused Musician who got sidetracked into this goddamn Word business for so long that I never got back to music - except maybe when I find myself oddly alone in a quiet room with only a typewriter to strum on and a yen to write a song. Who kn...
What followed was a great treat for me. This was Irish traditional music as I had hoped to see and hear it, spontaneous and from the heart, and not produced for the sake of the tourist industry. As I sat there with my pint in my hand, enjoying the ji...
One of the strangest things is the act of creation. You are faced with a blank slate—a page, a canvas, a block of stone or wood, a silent musical instrument. You then look inside yourself. You pull and tug and squeeze and fish around for slippery r...
[longer introduction to "Night On Bald Mountain" and "Ave Maria"] Narrator: The last number in our Fantasia program is a combination of two pieces of music so utterly different in construction and mood that they set each other off perfectly. The firs...
Dr. Frederick Frankenstein: That music... Frau Blücher: Yes. It's in your blood - it's in the blood of ALL Frankensteins. It reaches the soul when words are useless. Your grandfather used to play it to the creature HE vas making. Dr. Frederick Frank...
Selling is crucial to your success because without the sale, you do not make any money. The great thing about writing a book to position yourself is that the book does a lot of the selling for you. People read the book and come to you for more answer...
On the other side of that big-ass mirror, a video camera was watching us. In about ten seconds, it was going to start spitting static at itself, and everything it saw was going to break up into a fuzzy, gray-white wash, rolling up and down, that woul...
Caitlin Bree: Can I use your bathroom? Randal Graves: Sure. But there's no lights back there. Caitlin Bree: Why aren't there any lights? Randal Graves: Well, there are, but for some reason they stop working at 5:14 every night. Caitlin Bree: You're k...
Juliet: I thought I might be able to swap it for some pie or... or maybe Munchies? Mark: Actually, I was being serious. I don't know where it is. I'll have a poke around tonight... Juliet: Mark, can I say something? Mark: Yeah. Juliet: I know you're ...
How charming is divine Philosophy! Not harsh, and crabbed as dull fools suppose, But musical as is Apollo's lute, And a perpetual feast of nectar'd sweets, Where no crude surfet raigns.
I pulled out my mp3 player and stuck the buds in, and letting out a big breath, I started to scroll through my music for something appropriate to kill by. John Tesh, it is.
