I have this image in my head of me in the house I grew up in, and hearing this incredible music on the television show, going over to it, and there's Jon Hendricks, Dave Lambert, and Annie Ross. It knocked me out of my socks, and I'm still in flight.
I really want it to have an impact on the world. I want to be in a town on the other side of the world, and somebody walks up and says, 'That music you made in Glasgow, I listened to it every day, and it moved me.'
I find the songs I want to record by listening to as much music as I can. 'When I hear things I really like, I ask the writers to send me a tape of everything they've ever written.
I knew Bobby Dylan back in the days when he lived in the village. He used to come and see me and sing songs for me, saying they ought to go into my next collected book on American folk music.
I think that's given inspiration to other musicians. I know, particularly through the 90s, a lot of bands would cite Rush as an influence. I don't think it was so much our music, but more the way we really stuck to our guns.
I had this idea for a while to do mix this Al Green vibe with a samba thing. I tried to do that in many different ways. Peter added his own modern notion of funk and his own deep background in classical music.
I saw music as a way to entertain people and take them away from their daily lives and put smiles on their faces, as opposed to what I see it being now, which is a way for me to actually communicate, and a way for me to tap into my subconscious.
I feel like everything I write about is a gift I need to share because there is somebody out there going through a similar thing that might need to hear it. I know music helped me a lot. And still does.
To be honest, I know this probably sounds corny or whatever because I'm a musician, but listening to music really helps me relax and calm down - listening to my favorite songs. Also, laughing and hanging out with my friends.
I do not have voice for Russian music; I cannot be cute little peasant like in operas of Glinka or Rimsky-Korsakov. I am now never in Russia; I am Austrian citizen. But definitely I am Latin!
I really believe it's not bad to look back within music. I don't mean retro, but using your own memories to make a song because our memories are what make us who we are.
I wrote The Same Sea not as a political allegory about Israelis and Palestinians. I wrote it about something much more gutsy and immediate. I wrote it as a piece of chamber music.
I do get credit for having a California sound to my music, but I don't think people really know what that means - they think the Beach Boys. I'm thinking more like Sunset Strip in the 1960s and stuff like that.
I realised that the only time I really enjoyed music was when I was in the studio writing. So even though it was a six album deal, they saw quite early on that I wasn't enjoying it as I should be. I didn't feel there was anything behind it.
Where would I be without Johann Strauss's beautiful 'Blue Danube?' Without this piece of music I wouldn't be the man I am today. It's a tune that brings out the emotion in everyone and makes them want to waltz.
I think there are people who use classical music to say, 'I am better than you, because I know all the rules and you don't.' You're not allowed to have fun or entertain.
Pop comes from the word 'popular,' which means that it could be anything that appeals to any group of people. When you talk about general masses, I think there's elements in every kind of music that can reach a broad audience.
When I was in school, I really thought about soul a lot. I was listening a lot to Bjork and to the Commodores. I really wanted to know how they felt. And especially with Bjork, the music there told me wow, that's really her soul there.
We'd never expect to understand a piece of music on one listen, but we tend to believe we've read a book after reading it just once.
I'm very serious about what I write and who I allow to produce the music, because I want to make sure it's a true album, and not just something pushed out there to create hype and more fame for myself.
In America, for a brief time, people who followed Coltrane were studied and considered important, but it didn't last long. The result is that the kind of music I played in the '60's is completely dismissed in this country as a wrong turn, a suicidal ...