When your persona begins to take over your music and becomes more important, you enter a dangerous place. Once you have people around you who don't question you, you're in a dangerous place.
It's so easy for anyone to deal with their own guilt of being a middle-class white music fan by pointing to other people who they perceive to be richer than them, whiter than them.
For my part, if I consider poetry as an object, I maintain that it is born of the necessity of adding a vocal sound (speech) to the hammering of the first tribal music.
The implications are clear: Facebook wants to build an Internet where watching films, listening to music, reading books and even browsing is done not just openly but socially and collaboratively.
I was born in '71, so I remember bits of glam rock on 'Top of the Pops' toward the late '70s, but I had no idea what kind of world it was. I didn't like the music, either.
There was this discussion to know how long the human ear was really receptive to the music. A 74 minute CD is too long. We thought about making two CDs, 35 minutes each... But the songs need to breathe.
I've always been drawn to stories and telling them; whether it was through being a part of theater when I was a little kid, or film, or with music, there's just been an innate desire to feel that connection.
I can spend the day without writing or reading, but I can't spend a day without listening to music.
You can say battle or war or whatever, but in the end, it's music. It's not really violent in intent at all, it's really just about expression and celebrating that in itself.
My grandma said - when I was really young and I'd sing along to the radio - why do you sing in an American accent? I guess it was because a lot of the music I was listening to had American vocalists.
The virtual choir would never replace live music or a real choir, but the same sort of focus and intent and esprit de corps is evident in both, and at the end of the day it seems to me a genuine artistic expression.
I'm drawn to punk. I'm drawn to samba a bit. I don't think there's a type of music I'm not drawn to. Lykke Li I really like. Holy Sons I still can't get enough of.
As soon as I got into music, I tried to be a working, real artist who gets paid for what he does, who doesn't have a day job.
I was a kid who got picked on in school, and now the guys beating up those kids were wearing red caps and using my music to fuel that aggression. But if they listen to the lyrics, the aggression is targeted at them.
I remember rap music. We used to party and dance off of it. Today it's all about a whole different angle... Rappers are going against each other, and it's more of a bragging, boasting thing.
We play melodic music, we play songs, we play all kinds of things and when you improvise you don't just shut out different languages, you use all the languages that you have.
People often complain that music is too ambiguous, that what they should think when they hear it is so unclear, whereas everyone understands words. With me, it is exactly the opposite, and not only with regard to an entire speech but also with indivi...
I'm glad that our music motivates people to exercise. If I had to pick just one song to run to, it would be 'Violet' by Hole. It makes me want to run.
When something really hits me, it makes me want to either jump off something really high or lie down and be buried. I want people to get hit and caught by my music.
I always seem to feel that everything is about to cave in on me. I think that maybe music is my protection from that and in some senses it's an outlet to turn it into something euphoric: embracing the eventual decline.
Music is my way out. I keep things locked up and never say anything. I guess in order to say something to one person, I have to sing it to a couple of thousand. It doesn't make for healthy relationships.
