The biggest problem with American music right now, is that kids don't listen. They come by it honestly, Americans don't listen anyway. When people go to concerts, they say I'm going to see... not, I'm going to hear.
There's a certain kind of motion and pacing that our music has, and this just doesn't have that. We just kind of rushed to the conclusion of most of the songs. I just would've preferred to done them over.
I think they can co-exist. You don't have to put one down for another. I've been bitten by the acting bug, and where it takes me, it won't take away from the music.
I'm from the Bob Wills and the Little Richard school of music. Bob Wills did what the hell he thought, Little Richard did what he thought, and those were my big influences.
Sondheim writes the music and lyrics, and because he's so smart and goes so deep with his feelings, there's a lot to explore, get involved with and learn about.
At the same time all this was happening, there was a folk song revival movement goingon, so the commercial music industry was actually changed by the Civil Rights Movement.
The world I live in is benefiting from things like satellite radio. Jazz and blues fests are everywhere now, and Americana is going strong on college radio. What I'm hearing is an appreciation of real music.
The Beatles changed music forever. They took rock n' roll from a medium that was about cars and girls and gave it context, interesting chord changes and true musicianship.
With the Stray Cats at least, we really took the music somewhere else. First, we wrote our own songs. That's a real weak point in modern classics if you do rockabilly or blues.
I can sing very comfortably from my vantage point because a lot of the music was about a loss of innocence, there's innocence contained in you but there's also innocence in the process of being lost.
Whatever I do, I do for the universal. It's not like an individual thing; it's not like something from me. What I present to the people is for all of us, you know. I present music for the people.
I was a schooled musician. When I made 'Blue Velvet', I told everyone what to do. I was an arranger. I learned music in school I told the band to play this. I told the guitar to do that.
Music is critical in our lives and culture. It's the inspiration that drives us. It's also the window to our souls. It's a reflection as to who we are, what we stand for and where we're going.
I didn't want to stay in the Stones, and be stuck in a position having to play a music I didn't like anymore and that restricted me from doing all the others things I'm interested in because of time.
I've got to be honest: I don't listen to any music now. I don't even listen to mine! I like to walk fresh into the studio and have ideas that come straight out of me.
We wanted to establish a new fan base over here. And second, we wanted to challenge ourselves. We wanted to bring what is ostensibly new music to fresh ears and see what lights them up.
My parents listened to music in our house all the time when we were growing up. It was everything from Dolly Parton to Paul Simon... We packed in everything.
I get interested in the various ways that music is being done in the culture, and some of it I like thoroughly enough to want to learn about it. The way I have been successful at doing that is to become part of it.
'The Beatles' did whatever they wanted. They were a collection of influences adapted to songs they wanted to write. George Harrison was instrumental in bringing in Indian music. Paul McCartney was a huge Little Richard fan. John Lennon was into minim...
I admire Tom Ades: he's a brilliant conductor, and he gets just the right hard, brilliant sound from the City of Birmingham Symphony Orchestra for Russian music.
I mean, in the course of an evening, people will take a solo here and there, but generally it's all about the rhythm of that music. Dealing with the rhythm with everything. That's essentially at least my concept of what that group is.
