I let the song come to me. Then that thing comes to you, and you just know what that thing is. Music isn't like a 9-to-5 job. You never know. It's just the most unpredictable thing.
I feel like I've spent the majority of my time touring and traveling, so if I reduced the actual time making music, it's probably four and a half years at the most.
The repercussions of what you put out and what people gravitate to in your music never registered at all. I never had that thing that maybe other bands have - a specific idea of what they are and what their sound is.
I did a lot of work without thinking about it in a calm, rational way. Stopping and thinking about what I was doing made my music calmer and deeper in tone.
Look, when I started out, mainstream culture was Sinatra, Perry Como, Andy Williams, Sound of Music. There was no fitting into it then and of course, there's no fitting into it now.
The biggest misconception about us is that we're just a rock band. We think our music is a cross-section of many genres; a hybrid of what the six of us have grown up on.
'Music for Relief' has played a vital role in helping get aid to people who most need it. We are deeply honored to participate in what will likely be our biggest event to date.
When I was 14, I came very close to becoming a gay teen suicide 'statistic,' but I then turned to music, my piano, my loved ones, and discovered that it does in fact get better.
Musicians are there in front of you, and the spectators sense their tension, which is not the case when you're listening to a record. Your attention is more relaxed. The emotional aspect is more important in live music.
Music in itself carries a whole set of messages which are very, very rich and complex, and the words either serve to exclude certain ones or point up certain others.
I'm older than I was, and I'm still washed-up, and I haven't changed my music one iota. It's just much easier to do this when people are being nice to you.
Certainly being in California has encouraged a sustained commitment to rethinking the nature, purposes, and relevance of the contemporary arts, specifically music, for a society which by and large seems to manage quite well without them.
You know, there're no rules between Russell and I. We don't want to have to have to talk too much, because it's really precious, really special to play music.
I was always keen to get involved in the school drama productions and was a member of the school choir. I was lucky to have attended schools that took music and drama very seriously and the teachers were just brilliant.
I don't think of my music in terms of a career. I just want to get it out there and do it. I'm not manipulating my sound to be like anybody or trying to write to sound like anybody else.
Under Confucianism, the use of precisely measured court music, prescribed steps, actions, and phrases all added up to an extremely complex system of rituals, each used for a particular purpose at a particular time.
Dope never helped anybody sing better or play music better or do anything better. All dope can do for you is kill you - and kill you the long, slow, hard way.
I started to like blues, I guess, when I was about 6 or 7 years old. There was something about it, because nobody else played that kind of music.
I think music naturally wants to be played with more than one person. There's a surprise element, and you don't know what it will be, and it's up to that other person's energy to help create this third thing.
Miles Davis turned his back to the audience when he came out on stage, and he offended people. But, he wasn't there to entertain; he was all about the music. I kind of do that.
The piano is the X factor. People have a tough time following the structures when there's no piano there, spelling it out. It makes it more easily understood, particularly to people who don't know as much about music.
