Mostly I work really unconsciously, and I think if the scenes are really well written, which they are, and if I just throw myself into it, I don't really think about it.
Some of my earliest work was in comics. I tend to think in pictures and always like to write scenes possessing the dynamic you find in comics.
I'm sticking my tongue out in scenes to try to make that work in 3D. I'm thinking I'll try to get my tongue all the way out to the second row of the audience.
If they're working in a workshop somewhere, where there is, let's say, uh... only twenty people, or something like that, that's still, when they work and do a scene, that's still working in front of somebody.
Carry on an undefiled undertaking.
Musical theater is one of my passions.
I have intentionally not pursued musical theater.
Do I want to write a musical? No. I like to do musicals.
The music business can be very cold. And it doesn't honor its elders.
The Philadelphia/New York world of the music business is a tough place to be.
The bricks and mortar of the music business, they don't exist any longer.
The music business is really a spiritual business whether we know it or not.
A woman's two cents worth is worth two cents in the music business.
I've always treated the music business as a business.
My confession: I listen to great music very badly.
Do I think all contemporary Christian music is good? No.
Good music shouldn't have a shelf life.
There's no meaning to life without music. Everybody has their own connect with music.
Music is my life - acting's just a hobby.
I love music; I come from a region of Kurdistan that is a base for music.
I have such a deep love for traditional country music.
