In some ways, my most comfortable feeling has been that of being an outsider coming in, but over the years I've tired of that and I'm ready to feel at home. That's what music gives me: a feeling of absolute home.
I'd have these weird experiences where I'd just be walking down the street with this chord progression in my head, this happened more than a few times, and I'd walk home and find a fax in my machine and it would match the music in my head.
I left home the day after I graduated from high school because I knew we weren't going to make any dough to pay the rent in music.
And now, I still really don't care that much but now I have music playing all the time at home, which is a first for me. Whatever. Everything from Ani DiFranco to Dave Matthews to Jack Johnson and Norah Jones.
I can't leave home without certain movies. 'The Godfather' is a big one for me. And I've gotta have my beats so I can write new music.
I would have quit before I went rock-n-roll. I know one way, and that's natural, and when I can't make it, I'll come home and stay. I believe in my music.
I love New York, it's always been my home. It has everything - music, fashion, entertainment, impressive buildings, huge parks, street cafes. And it's very international, with people from all over the world.
When I am not recording, I do live shows or am at home catching up on shows which I regularly watch. But there will always be some music around me.
My free time at home is usually spent emailing, listening to music, reading and talking on the phone. I wish I was on the phone less, but I have been fortunate to stay in touch with so many incredible friends.
It was only after Pather Panchali had some success at home that I decided to do a second part. But I didn't want to do the same kind of film again, so I made a musical.
I would love to see more women making their mark in the music that I love so much ... There are so many more out there just waiting for their shot. I hope they get it!
However, yes, especially as one gets older, you know, you really hope that your music will become more generally available, even though some of the performances might be riddled with faults.
My whole life is geared to play guitar. I play what I want when I want and I hope the listener gets as much pleasure listening to the music as I get playing it.
I really, really love new work, and that's why, you know, I produced a concert series supporting new musicals and stuff like that. I hope to do more things like that.
I hope that what you take away from my album is not just the music - which I did want to be fun, and I did want it to be about individuality, but please also take away from it that there's no dream that's too big.
My father's music gives hope to people and also inspires them to break the bonds of injustice and to be positive in life. I've seen that everywhere I go, especially in poor countries and poor neighborhoods.
In the history of comics and movies and music too, it's always when things are at their bottomed-out, either creatively or financially, there's more chance-taking going on.
Because of the fashion, the young people don't have any access to the history of music, unless people like me revive it. There are very few people to revive it, because you can't earn any money doing it.
Music can be healing, and with my history and my knowledge of both sides of what looks like a gigantic divide in the world, I feel I can point a way forward to our common humanity again.
If I have one success in my relationship history, it's with the people who listen to my music. I think that they'll be there with me forever, and I'll be there with them forever. And I'm totally satisfied with that.
Punk rock has never really had much patience with musical virtuosity. Actually, it'd be more accurate to say that for most of its history, punk has been actively hostile to virtuosity.
