I'm not really into gothic music, it's not really my type of scene but each to their own. I listen to pretty much anything.
Music is pretty intimate stuff and I can only work with very few people: Gonzalez being one, Mocky being another and, on a completely different level, Broken Social Scene. With Broken Social Scene it's not one-on-one, it's a one-on-12. It's very heal...
I'm really into the indie-music scene and listen to a lot of De La Soul.
The Austin music scene is the reason why so many of them moved here.
I did not want to be somebody who lived off his reputation. I wanted to continue to be part of the modern music scene.
People have always said that I could have been a highly successful pop artist, if only that were my intention. It never was. My original intention was to be a kind of behind-the-scenes participant in music, to just be a record producer and engineer. ...
New York feels like the whole city is into dance music. That's not how it felt when I was younger. There was more of a hipster scene.
I'll look at the script and I'll try to find as many books, movies, and pieces of music that I think are going to feed each scene or the character as a whole.
Let me completely condemn these sickening scenes; scenes of looting, scenes of vandalism, scenes of thieving, scenes of people attacking police, of people even attacking firefighters. This is criminality pure and simple and it has to be confronted.
And looking at today's music scene, I think it's cool that there are a lot of consumers and fans not limited by what radio and the record companies tell them to buy.
I think in L.A., in terms of the music scene, it's a really strange place. It's really hard to get the feeling that something's happening, or the feeling that something can make it out of there.
A scene gets cut a few frames here and there, but there's a cumulative effect to it, and then the music needs to be reworked. It's demanding, but when you see the improved cuts, it's always better.
A Deap Vally renaissance is going to begin next year and will be our focus for the start of 2013. They will blow the cobwebs off a music scene that has become just a little bit stale.
Ah, reality TV: where opportunists delight in exposing opportunism! It's kind of like the indie music scene.
It's like that scene from The Player when they talk about merging Star Wars and Kramer vs. Kramer, or whatever. You could do that with music and it would just be awful.
Crush: [Crush comments on various scenes in the Scene Selection menu on Disc 2 of the DVD; Scene 1 - "New Parents"] Mr. and Mrs. Jellyman. Ha ha! Awesome. Crush: [Scene 5, "The Drop Off"] Whoa! Big ol' blue's one serious place, dude. Crush: [Scene 9,...
Dan: That's what I love about music. Greta: What? Dan: One of the most banal scenes is suddenly invested with so much meaning! All these banalities - They're suddenly turned into these... these beautiful, effervescent pearls. From Music.
They were looking for actors - real actors - who could play instruments. There was a lot of improvisation and scene work involved in addition to the music. The auditions went on for a long time.
In that long sequence, when Lawrence enters in the desert to rescue a lost man, Lean listened the music I wrote and wanted to extend the scene to let my work stay completely.
When I don't know what the music is going to be for a scene, I imagine some sort of orchestration going on and damned if they don't usually come up with a similar kind of thing.
What I don't like is when I see stuff that I know has had a lot of improv done or is playing around where there's no purpose to the scene other than to just be funny. What you don't want is funny scene, funny scene, funny scene, and now here's the ep...
