Cop #3: [after seeing the crime scene in Glen's room] What the HELL did that, Lieutenant? Donald: I don't know. What's the coroner got to say? Cop #3: He's been in the John pukin' since he saw it.
Dr. Abe Sapirstein: Come with us quietly, Rosemary. Don't argue or make a scene. Because if you say anything more about witches or witchcraft, we're gonna be forced to take you to a mental hospital. You don't want that, do you?
[deleted scene] Tristan: [while he and Victoria are drinking champagne] You know... an interesting fact, actually - the first champagne glass was molded on the left breast of Marie Antoinette. [Victoria stares at him, disgusted] Tristan: I don't know...
Fabrizio: [deleted scene] Helga, you come with me now. I am very lucky is my destiny to go to America please. [kiss] Fabrizio: Come. Helga Dahl: [pulls back] I'm sorry. Fabrizio: I will never forget you.
Baby Herman: For crying out loud, Roger, I don't know how many times we have to do this damn scene! Raoul, I'll be in my trailer, taking a nap! [Walks between a woman's legs] Baby Herman: 'Scuse me, toots.
[deleted scene] [in the aftermath of the assassination attempt] President Nixon: I would have questions that need to be answered. I think we now know some of these mutants are on our side. Take Trask into custody.
I suppose 'My Hollywood' is only as politically meaningful as it is deeply inside the least powerful of its characters. I wanted it to reveal scenes of subtle exploitation, odd instances of accidental power and challenges to decency specific to its t...
This career essentially chased me down while I was on the spoken-word scene in New York. I kept hearing that my delivery of my poetry - which was very personal and cathartic at the time- was very moving to folks. People thought that I was an actress ...
I got a lot of energy from directing the film 'Ladies In Lavender.' You wonder if you have the stamina because as an actor you can lounge around the trailer during the scenes you're not in, but as a director, you're there from first thing in the morn...
The downside to making movies at a gallop like we did with 'Wish You Were Here' is that we're shooting four or five scenes in a day, and it's very exhilarating, but you worry at the end of the day that you missed some details because you were moving ...
Tom: [split screen scene on the train about Millie's wedding] Yeah but you said you were going that's why I'm going. McKenzie: And that's why I called her last night and told her I was sick, like a ninja.
Elaine Dickinson: [Cutting room-floor scene: Flight #209 has gone into yet another nose dive] ... Ted, the altitude! We're falling, Ted! We're falling! *The mountains, Ted! The mountains!* Ted Striker: What *mountains?* We're over IOWA! Elaine Dickin...
I started working at Bravo in 2005, when I was offered a job by Lauren Zalaznick, the network's chairman. She encouraged me to start a blog. I wrote behind-the-scenes gossip about 'Battle of the Network Reality Stars,' the first show I took on as hea...
When you are shooting in a conventional way, you put nets around yourself. It's very hard to fall and hit the ground. You can always manipulate things to make it not embarrassing. If the scene is a little bit bad, you can polish it or even take it ou...
When I was a younger actor, I would try to keep it serious all day. But I have found, later on, that the lighter I am about things when I'm going to do a big scene that's dramatic and takes a lot out of you, the better off I am when I come to it.
In constructing the plot and working it out with the proper diction, the poet should place the scene, as far as possible, before his eyes. In this way, seeing everything with the utmost vividness, as if he were a spectator of the action, he will disc...
Did you happen to catch the film I did between 'Lord of the Rings' and 'Kong?' It was a nice little Jennifer Garner comedy, '13 Going on 30,' and I play her boss. In my big scene, I get to moonwalk - pretty well, I thought - to Michael Jackson.
Daily Reminders 1) Never compare myself to other people. It is comparing my behind the scenes to their highlight reel. 2) Stay here, now. I will not think to far forward or back. 3) It's okay to not be fine. 4) Taylor need's me so I'm going to take c...
In this funny debut, flashy Filipino fashion designer Boy Hernandez sees his American dream become a nightmare when he’s ensnared in a terrorist plot and shipped to Guantanamo. Gilvarry nails the couture scene, but Boy’s rough journey from Manolo...
for my grief's so great That no supporter but the huge firm earth Can hold it up: here I and sorrows sit; Here is my throne, bid kings come bow to it. (Constance, from King John, Act III, scene 1)
I've consciously taken on material that's a bit too much for me but not an overreach. The first movie, just about performances. 'The Town,' I learned how to work broader material, develop tension, direct bigger scenes, action sequences. 'Argo,' I exp...
