V: [Quoting Viola from Twelfth Night Act I Scene 2] Conceal me what I am, and be my aid For such disguise as haply shall become The form of my intent.
I think if there was no violence in our world, there would be no violence in film. Violence is a part of human nature, and obviously it's a troublesome part of human nature. You always have responsibilities when you portray violence in what angle you...
All trembling, I reached the Falls of Niagara, and oh, what a scene! My blood shudders still, although I am not a coward, at the grandeur of the Creator's power; and I gazed motionless on this new display of the irresistible force of one of His eleme...
Even when I'm reading a script where I'm supposed to be looking at the lead role, I'll find myself gravitating toward some small weirdo in a few scenes instead. I'm very instinctive like that and I love the challenge of not having a lot of time to cr...
'Love' has that Kubrick tonality to it, but this is not a Stanley Kubrick movie - there will never be another. At the same time, 'Love' has a modern feel. For example: In one scene, these astronauts go through a wormhole sequence, and you feel like y...
Performing on stage is my first love - it's why I wanted to be an actor in the first place - and 'Arcadia' is the highlight of my career so far. I love the intimacy of a live theatre audience - you can really squeeze every last drop out of each scene...
Before this country came on the scene, for thousands of years people did things the same way. Within 200 years of the advent of this nation, men were walking on the moon, and I want us to recognize this is the kind of people that we are. We're creati...
No, 'F/X 2' was a job. I enjoyed doing it but that was definitely a job. I wrote that, I didn't direct it but 'Candyman' and the earlier horror movies I made, I was completely into horror and suspense and always have been. It's informed everything I'...
I actually watched 'Lord of the Rings' right when it came out, so maybe 2001 or 2002 or whenever that was. But I watched those movies, and I ended up loving them so much that I found every behind-the-scenes feature and every sort of 'making-of' clip ...
Before I'd written movies, I never could do big set-piece scenes with a lot of different speakers - when you've got twelve people around a dinner table talking at cross purposes. I had always been impressed by other people's ability to do that.
Narrator: Amélie still seeks solitude. She amuses herself with silly questions about the world below, such as "How many people are having an orgasm right now?" [scenes of various orgasms taking place] Amélie: Fifteen.
Riggan: [waiting for his cue during Mike's scene] He's good, huh? Annie: He's incredible. I think he's drinking real gin.
I don't like improvising on camera, particularly, but very often, a scene will not be working, and you rehearse it once or twice, and you realize something's missing. So I'll play with it until it makes sense.
When I'm shooting a film, I don't look at playback. I don't go and do a scene and then hurry up and watch what I just did. I never look at it so I haven't seen any of it.
Very little gets offered to me. I have to audition and bawl my eyes out. For 'Broadchurch,' the scene was Danny lying on the mortuary table. I can't remember the last audition I had where I didn't come out drenched in sweat, puffy-eyed.
The first things I remember drawing were battles - big sheets of paper covered in terrible scenes of carnage - though when you looked closely, there were little jokes and speech bubbles and odd things going on in the background.
However, if we examine the Canadian scene closely enough, we can see signs of this physical and spiritual rot settling into a number of our Canadian urban centres with a troubling spill-over into many of our more rural areas.
The newly released movie 'Noah' features a retelling of the creation story that clearly depicts Darwinian evolution transforming a single-cell organism into a monkey. The movie also seems to show magic in scenes more reminiscent of the occult than of...
Oftentimes, when we think of 3D, we think of things coming out of the screen, but actually, you've got this zero, this negative space, what they call the negative space, which is the scene, what's being filmed in the positive space of the audience. A...
And this system sorted out the Chechen war in just 20 days. This way, I used the President's power, he didn't use me. It wasn't hard for me to leave - it isn't my scene. I have nothing to do there.
Sometimes I think of my life as a sitcom. But in reality, life is more than a series of memorable events that bring out the Meg Ryan in us. Life happens in the gaps between scenes. We live in the fade-to-blacks.
