When a scene is being shot, it is very difficult to know what one wants it to say, and even if one does know, there is always a difference between what one has in mind and the result on film.
If a movie is received badly, and I'm in only one scene of it, I still feel responsible. I feel like it was my fault at all times. If people were like, 'This movie sucks!' I'd be like, 'Well, that's because I'm terrible.'
The challenge is quite formidable if you spell it out explicitly: artists must look at a three-dimensional scene with their two-dimensional retinas and then generate a two-dimensional painting that appears three-dimensional to viewers who look at it ...
When Orson Welles was acting in 'Compulsion,' the director Richard Fleischer let him just take over and direct the courtroom scenes. To be able to see Welles - who knew more about directing than anyone - direct himself and the other actors, it was un...
Panic is rare, looting is essentially insignificant, people are not terrified and trampling each other to flee from a disaster scene, but in fact are trying to manage a situation. We may in fact revert to some sort of primordial civility.
We filmed one scene on the beach and there was definitely weird energy around, and we were followed around by a white owl to several different locations, and little things like that, or certain mishaps would happen and you'd have to wonder what that ...
I stole a ton of film language from Steven Soderbergh and 'The Limey.' It's the definition of elliptical. It was the first movie I remember that introduced me to storytelling that isn't just one scene after another, and that things can be mixed up in...
In some ways any film that you do has an artificiality about it. Even when you're doing the most kitchen-sinky, gritty, realistic scene you've still got 50 people standing around watching you with cameras and lights and things.
You don't need to be primary caregiver of your children to be of primary influence in their lives. What you do for them behind the scenes in your own unique way is what makes the true difference in the long run.
To march over dead man, to hear without concern the groans of the wounded, I say few men can stand such scenes unless steeled by habit or fortified by military pride.
I think of it as the lasagna approach to writing because I'm always adding layers. I'll sometimes do it layer by layer, with dialogue, attribution, action, objects in the scene, setting... It can be sometimes that delineated.
There's no experience like going down an empty freeway toward a hurricane and then looking in the opposite lane and seeing bumper-to-bumper traffic, people fleeing that scene. Or going to a toxic spill and seeing people go the other way. You talk you...
The publishing scene in India is evolving rapidly, and the key challenge is to keep reinventing oneself so that one does not become formulaic. Sometimes it is safer to deal with the consequences of failure than the fruits of success. Remaining on one...
My family took a vacation to Universal Studios when I was really young. Me and my brother Richard - who's also an actor - were both really intrigued by seeing the behind-the-scenes stuff of how films are made. We kind of begged our parents to get int...
It really depends, but, generally speaking, just because of the mechanics of it, voice-over is easier because there is no hair, no makeup, no wardrobe, no fittings, no line memorizing. You don't have to me woken up in Russia at 6 in the morning and g...
I think the motion picture industry is a stupid business and I despise acting the scenes in short snatches, one at a time. I hate this film work. I am disgusted with myself. On the stage I could never play a part unless I felt it with all my heart an...
I have questioned myself about the brutality in the last few novels. Actually in 'The Leopard,' in hindsight, I feel I went a little bit too far with screaming blood. There are a couple of scenes that I regret and wish I had the chance to rewrite. 'P...
New York had a big influence on me growing up, and I was really part of the club scene - the Mudd Club and Studio 54. When you're living in New York, you are just bombarded with style, trying to figure out how to be cool and how to feel relaxed at th...
The nude scenes were a little eerie and I felt a bit odd. Yeah, when the camera scanned up my body, I said to my friend, 'Now, that's a close-up.' I mean, you see every inch of my body. But I'm okay with it and so it was cool.
One of the last books I read was 'Game Change: Obama and the Clintons, McCain and Palin, and the Race of a Lifetime' by John Heilemann and Mark Halperin. It gives a really good behind-the-scenes look at the campaigns. I didn't ask the president how a...
In the past I've been very into the falling part, very into the swimming in the dark, deep emotional water. 'Rampart' I really went into it and it took me three times as long to get out of that depression as it did to just do the scenes. I had to lea...
