Light died in the west. Night and tears took the Nation. The star of Water drifted among the clouds like a murderer softly leaving the scene of the crime.
O God, that men should put an enemy in their mouths to steal away their brains!" - Cassio (Act II, Scene iii)
College is a different scene than it was ten years ago. It used to be all about sex and drugs. Now it’s all about texting and fast food.
A crime scene is a silent witness that speaks louder and clearer than any human. Just ask Helen Keller.
I think good radio often uses the techniques of fiction: characters, scenes, a big urgent emotional question. And as in the best fiction, tone counts for a lot. But a lot of effective and interesting radio is based on one character who reacts to the ...
The best preparation for acting is life - observing life and people and observing yourself. All that becomes your library. So when you have to research a part, a scene or an emotion, you go into the library and get what you need.
In terms of 'Solaris,' I didn't really think about the religious aspect an awful lot. There's one scene at a dinner party, and it's discussed, but it wasn't an overwhelming theme for me.
Every book has got its challenges. You run into a plot point that you can't figure out, or a scene that you struggle to write and have to write 50 times.
I just wrapped 'Eclipse' yesterday and the last scene we shot is probably my favorite thus far. I finally got to tell my story, in a very gentle yet elaborate way.
I don't miss scenes at all the way that I used to miss them when I was younger making a film. It's actually quite fun to get rid of them now.
I have these huge black foam boards on the wall, and tacked to them, I have these white punch cards with my story ideas, scenes and notes.
There are a lot of actors who will watch the monitors. They'll do a scene, and then the director will look back to see if he got whatever he wanted. I just find it odd to sit there and watch yourself.
I got to meet Mark Hamill. He signed some Star Wars posters for us. I saw the fight scenes he had. He was really into making fun of himself and Star Wars.
When I'm on an adult set and I'm in a scene, I am myself. I'm not acting. I am playing to the camera, definitely, but I am myself.
To return after long years of painful absence to some place which has been the scene of our former joys, and whence the force of circumstance, and not choice, has driven us, is oppressive to the heart.
I don't look at rushes, or I don't go to the dailies. I don't even really look at playback... unless it's an action scene or a move that I need to do better, something like that.
It's quite nice coming off doing a dark, upsetting scene. It's a relief that that's over with, and then you can get back to happy old Sophie.
I don't do the L.A. scene. I stay focused and very myopic. I don't feel I need to prove myself or be in people's faces, especially in this town.
In 'Dark Skye,' I rewrote every one of the Pandemonia scenes over and over before I was happy with them - hundreds of pages are now sitting in a folder called 'Cuttings,' never to be read. Ouch!
I have to do so many scenes cooking that I wanted to learn how to chop like I know what I'm doing and do certain things around the kitchen that look right.
I try not to do scenes a certain way, because then I become conscious of it, and it dosen't come off as realistic. I try to make it so that I'm not really aware of what I'm doing.
