I don't think you need a record deal to write songs. You don't need any other reason than you want to do it. It's a far cry from why some people do music today. They make it to order, which is pretty horrible.
I really like writing music. That's kind of like my little hobby. I like that because sometimes you don't really have any control when you're an actor, over what you're doing next, and everything is kind of decided by other people. You're always wait...
Portland in particular is a cheap enough place to live that you can still develop your passion - painting, writing, music. People seem less status-conscious. Even wealthy people buy second-hand clothes and look a little bit homeless.
I do a lot of collaborations and productions, whether it's Switch or Steve Aoki or No ID or Will Smith or No Doubt - I always like to collaborate and be a quality control person for the people 'cause I have my own taste in music and bring that to oth...
People won't stop painting, just as they won't stop making music or dancing. This is a facility we have. Children don't stop doing it or having it. On the other hand, it seems we don't need painting anymore. Culture is more interested in entertaining...
I just prefer instrumental. I don't need to hear what other people are singing. And if I need music as a backdrop to work or to think, I need to have that part of the brain clear - I don't need people feeding their fantasies into my vision.
I was in New York doing musicals in the theater and on Broadway before 'Orange,' so people always ask, 'Are you ever going to get to sing? Does she even sing?' But people who know me know I actually do sing.
In Africa, music is for everything, Music was originally used for community. That was what music was for.
I like all music. The only music I don't like is bad music.
New music is absolutely integral to classical music.
Music could ache and hurt, that beautiful music was a place a suffering man could hide.
Pop music I have always loved best. But the more extreme, fascist-led examples of the music business I tend to detest the most.
I love Lady Gaga and I love Katy Perry and R&B and rap music... I love big, American pop music.
Music as background to me becomes like a mosquito, an insect. In the studio we have big speakers, and to me that's the way music should be listened to. When I listen to music, I want to just listen to music.
I'm moved by a lot of different kinds of music, whether it's pop music or R&B or straight-ahead jazz or free or opera or music from all parts of the world.
I don't sing country music because I'm not capable of singing other kinds of music; I sing it because I think it's the most beautiful kind of music there is.
Every so often, I feel I should graduate to classical music, properly. But the truth is, I'm more likely to listen to rock music.
I certainly have a fascination with pop music as a musical form, not necessarily as a lifelong commitment. I guess you could say I'm like a Casanova of music. I can't seem to settle down with one musical form.
I have always loved the process of making the music, reading the letters from the fans who get married to my music, have children to my music and play my music at their funerals.
The blues. It runs through all American music. Somebody bending the note. The other is the two-beat groove. It's in New Orleans music, it's in jazz, it's in country music, it's in gospel.
Music in Africa often contains messages. Music in Senegal, and Africa, is never music for music's sake or solely for entertainment. It's always a vehicle for social connections, discussions and ideas.
