Music is pretty much the lifestyle, not the music itself. The lifestyle really pulled me off the street. Made me want to do something organized and positive.
I can take all the negative energy and turn it into a positive simply by purging my soul through music. That's how powerful music can be.
I grew up with all kinds ofmusic, but my heart was particularly drawn to Country Music because of the guitar playing, the lyrics and of artists like Steve Warner and Vince Gill.
Well, I was very lucky. I was brought up west southwest coast of Scotland and my mother and father had a music shop, and so I was surrounded by pianos and drums and guitars, and music, of course.
Actually, I feel music becoming more and more important. It's a big source of inspiration. With what's going on in the world, we feel almost desperate. Music also brings you peace.
I'm really focused when I'm working out, so I don't really listen to music. I like to listen to music after, because it's like, 'Yeah! I finished! Let's party!'
Brazilian music has many of the ingredients that I strive for in my own music: Strong melodies and a disciplined but intense rhythmic concept, and interesting harmonies.
When recordings replaced concerts as the dominant mode of hearing music, our conception of the nature of performance and of music itself was altered.
Can you imagine that Cuba and Europe's youth, who had forgotten about traditional music, who only thought of rock music, are now looking back towards their grandparents? That is a phenomenon.
To me, the noise of a threshing machine is better music than a lot of music I hear nowadays. I took a man's place in the threshing crew when I was only 14 years old.
Beethoven's importance in music has been principally defined by the revolutionary nature of his compositions. He freed music from hitherto prevailing conventions of harmony and structure.
I think it's his perception of knowing how to make a record build, keeping the integrity of the song in the music and really adding a lot of musical elements to compliment my voice and to compliment the song.
In the music industry, we value large success. I realized that while I would like that, that it's not what my writing is about. And if I start making it about that, it becomes impure.
Charles and I are from Augusta, Ga. - so we come from James Brown territory, soul music and Motown. And Charles has always had a lot of Southern rock in there as well.
A lot of painters listen to music, I think, while they paint. But I hate to do that. It's a horror. I can't really listen to the music. I'm not really concentrating on it, and I'm not really concentrating on the painting.
I'm into song-writing; I'm into melodies that break your heart a little bit. That's the thing that got me into music; that's what I look for in music for the most part.
I always would dream of making music videos. Whenever I make music, I always have a visual in my mind. I always see things.
Just as infinite access to free music ultimately leads to no one making a living at music anymore, free journalism just doesn't pay for itself - particularly not when a search engine is serving all the ads.
I've been very fortunate. I've been in theater, films, television, radio, tragedy, comedy, farce - I've been in a musical and in music halls, in pantomime. I was once ringmaster in a circus.
When Merle and I started out we called our music 'traditional plus,' meaning the traditional music of the Appalachian region plus whatever other styles we were in the mood to play.
And obviously, when I started out, I had a little bit more curiosity than some, and went seeking out the original artists, or in some cases searching up country music.
